Conversations between artists have always fascinated me. It's one thing to listen to a conversation about someone who has been inspired by another person's work. It's another to listen to two well-known artists (in this case, filmmakers) compliment the other on work that the general public is familiar with. This is how filmmaker Gabe Klinger's film Double Play: James Benning and Richard Linklater feels to an audience: an intimate meeting and history of some intensely creative minds.
Every Austinite seems to have an opinion on Richard Linklater's films. Maybe you fell in love with Jesse and Celine in the Before series; maybe you could relate to being a stoner hipster like some of the folks in Dazed and Confused. Either way, Linklater's movies span across genre and style, held together by great stories with an engaging narratives. One would think his biggest influences would be filmmakers who create fast-paced comedies or heartfelt dramas. But although one can have many role models, Linklater cites filmmaker/documentarian James Benning as being one of his biggest.
Any documentary filmmaker will tell you that the process to make a film takes time. Filmmaker Gabe Klinger will tell you that the idea for his SXSW premiere film, Double Play: James Benning and Richard Linklater, was an idea that had been with him for many years.
Double Play examines the friendship between filmmakers James Benning and Richard Linklater. Klinger teamed up with local production company The Bear Media as well as the Austin Film Society to help bring this film to life. Through scenes filmed at Linklater's Bastrop home as well as archival footage, we as the audience can quietly observe these artists discussing their lives, art, and what it means to be a filmmaker.
I got the chance to ask Klinger a few questions via email before the film's debut this weekend. See what he has to say about how he approached these two filmmakers, as well as what his influences were in the process.
Attendees at this year's South by Southwest (SXSW) Film Festival will finally have an opportunity to watch the coming-of-age family drama Boyhood, written and directed by local writer and director Richard Linklater over a period of a dozen years. Shot for a total of 143 scenes in intermittent 39 days, Boyhood was well received at Sundance Film Festival last month where it debuted even before the credits were completed. Linklater -- seen above with Boyhood stars Ethan Hawke and Patricia Arquette -- seemed quite pleased that the movie had reached its own maturity.
Filmed from 2002 to 2013, Boyhood covers 12 years in the life of a family with a focus on the young Mason (Ellar Coltrane) and his older sister, Samantha (Lorelei Linklater). They must deal with the impact of their divorced parents' decisions and actions while maturing into their own individuals who can determine the course of own lives. Read my Sundance review here.
Austin filmmaker Richard Linklater finally unveiled his long-awaited epic drama Boyhood at the 2014 Sundance Film Festival, with a capacity crowd at both the premiere and press screening. Written and directed by Linklater and featuring Ellar Coltrane as the central character Mason, the movie is an opus of 164 minutes portraying the growth and influences on one boy. Mason -- along with his assertive older sister Samantha (Lorelei Linklater) -- faces the challenges of the dysfunctional family structure comprising the fiercely maternal Olivia (Patricia Arquette), who is desperate to provide a father to her children in lieu of an absentee father, Mason Sr. (Ethan Hawke).
Boyhood follows the family for 12 years, from 2002 to 2013, with seamless transitions between periods noted by aging of the main and supporting characters as well as by cultural references, music and wardrobes. From the introductory moment of Mason and Samantha engaged in a typical sibling interaction, viewers are engaged by the natural charm of these youngsters. As their father is "off in Alaska," Olivia must meet her children's needs while trying to fulfill her own desires for companionship and better herself through a college education.
This week marks the beginning of a film event that will no doubt turn out to be of lasting importance to many Austin movie lovers and the local film scene in general. The city's own Richard Linklater (if you're reading Slackerwood he needs no introduction) will begin presenting a series of films from the early 80s that, for various reasons, impacted him both as an appreciator and creator of independent cinema.
"Jewels in the Wasteland: A Trip Through '80s Cinema with Richard Linklater" begins Wednesday and is set to continue through May. The first five films have been announced so far, and aside from the time they were released ('81, '82 or '83), they seem to have little in common. That's the best part. This isn't a series simply curated by Linklater; he'll actually be on hand after each screening and will sit down for a conversation with Austin Film Society Programmer Lars Nilsen to discuss the whys and hows of that night's selection.
"What makes this such a momentous series to me is that we all get to share the simple joy of talking about movies with Rick," Lars told me in a email.
Take a look at the initial lineup below and don't wait too long to get your tickets; if the Austin film community is paying attention, these screenings should all be well attended.
This month's major "Film on Tap" event that I experienced was the "Austin at Sundance Party" at the Wasatch Brew Pub & Brewery. This Main Street brewpub, founded in 1986, was the first brewery in Park City since Prohibition, and features ski and snowboard movies every Monday night. More importantly, Wasatch was a great respite from the frenzy of Sundance premieres and liquor-heavy events elsewhere, with great craft beer and food at the Austin Party.
The party was co-sponsored by the Austin Film Society (AFS) and the Austin Film Commission, in honor of seven films that debuted at this year's Sundance Film Festival. AFS founder and writer/director Richard Linklater debuted his long-awaited film Boyhood last week to a full house at Eccles Theatre with over 1,200 attendees. Linklater is seen above with AFS Associate Artistic Director Holly Herrick, who also produced Ping Pong Summer, a whimsical underdog story written and directed by Michael Tully.
Yesterday, the Austin Film Society announced honorees for the 2014 Texas Film Awards, previously known as the Texas Film Hall of Fame Awards. The gala event takes place March 6 this year -- the night before SXSW Film begins -- and tickets are available both for the awards dinner and ceremony, and for the glitzy (and more affordable) after-party.
I've been to the awards (on the red carpet, at the ceremony or both) since 2008, and many of these honorees and presenters have attended before. Others have visited Austin, if not to the gala event. So I'm presenting the emcee, honorees and presenters announced yesterday in photographic format (whenever possible), to add to the fun. Keep reading and you'll find out why I chose that top photo.
First of all, this year's emcee is actor Luke Wilson. At the 2008 Texas Film Hall of Fame Awards, Wilson presented an award to Austin filmmaker Mike Judge. Here's Wilson on the red carpet that year:
With 121 feature-length films representing 37 countries screening at the festival between January 16-26, it's been quite a treat putting together this year's "must-see" list at Sundance this year.
A lot of interest is building for Austin Film Society (AFS)-supported films at the fest, but the latest buzz is focused on filmmaker and AFS founder Richard Linklater. Special preview screenings of the anxiously anticipated movie Boyhood, written and directed by Linklater and featuring Ellar Coltrane (seen at top), will take place at this year's festival with a premiere on Sunday, January 19.
Boyhood follows 12 years in the journey of Mason (Coltrane) from childhood into adulthood. He is influenced and supported by his parents, portrayed by Ethan Hawke and Patricia Arquette, and his sister Samantha, portrayed by Lorelei Linklater. What makes Boyhood so unique and captivating is that this drama was filmed over several short periods from 2002 to 2013.
Her, the latest film from Spike Jonze (which topped my own personal list of the year's best) won't be released in Austin until Jan. 10, but AFCA considered all films that had (or will have) a US release in 2013. Her also won Best Original Screenplay, by Jonze, and Best Score, by Arcade Fire. And AFCA created a special honorary award for Scarlett Johansson to recognize her voice work in the movie.
I've included the press release as well as the full list of awards and the group's Top Ten list below. A few notes about Austin and Lone Star connections:
A good part of my day is spent getting schooled, be it from my professors, mother or smart-aleck roommate. Spending another two hours of my life watching the musical development of a group of youngsters on the big screen during Thursday's The School of Rock ten-year reunion at The Paramount (my preview) may not have been the wisest decision, especially because I skipped class (is it still considered skipping when you notify your professors ahead of time?) and have homework due, but it was definitely more fun.
Some of The School of Rock cast members had similar college woes, like Aleisha Allen, who says she recently graduated from Pace University. Allen played Alicia, one of the band's designated backup singers. Despite a degree in speech pathology and an education minor, the New York native says her musical aspirations haven't waned.