It took 12 years to make Boyhood. After seeing it, it took me about 12 seconds to declare it one of the best films ever made.
That's right, gentle Slackerwood readers -- one of the best films ever made.
Read on only if you're fond of superlatives, for this review is laden with them. And Boyhood deserves every one -- it is nothing less than a monumental cinematic achievement, a movie that may redefine what is possible in the world of filmmaking. It is stunning and amazing and mesmerizing, and I could go on and on about it -- and will.
Boyhood's story isn't complicated. It follows a boy, Mason (Ellar Coltrane), and his family as he grows from age six to 18. Along the way, Mason experiences the wonders of youth as well as the heartbreaks, while his family tries to remain functional despite its dysfunction. Mason's life story isn't remarkable, but it's wonderfully told and deeply meaningful thanks to writer/director Richard Linklater's terrific script.
After Slacker and Dazed and Confused but before Bernie, Before Midnight and the soon-to-be-released Boyhood, Richard Linklater made a charming little movie called The Newton Boys. Filmed in Texas and featuring a band of charismatic actors (most of whom have gone on to considerable success in film and/or television), this true story depicts the bank-robbing exploits of four entrepreneurial and adventure-loving brothers in the early 20th century.
Raised in Uvalde County, Texas in a cotton farming family, the Newton brothers are an unruly bunch whose lives tell a one-of-a-kind story of American idealism and brash (but mostly non-violent) outlaw behavior. After Dock and Willis, the oldest two brothers (Vincent D'Onofrio and Matthew McConaughey), experience various real and perceived injustices (including class-based discrimination, wrongful imprisonment and general mistreatment by authority figures), they give up on trying to live lawful lives and instead decide to take what they think should be theirs.
This means emptying banks ("it's just little thieves taking from big thieves") and lying whenever necessary but vowing never to kill anyone. Thanks to the nitroglycerin supplied by cohort Brentwood Glasscock (Dwight Yoakam) and the endearingly slow transportation and communication systems of the 1920s, Dock and Willis (also joined by their younger brothers Jess and Joe, played by Ethan Hawke and Skeet Ulrich) are able to become incredibly successful bank robbers, and they proceed to spend several years joyfully blowing up and clearing out dozens of safes and trains from Texas to Canada.
By Richard Linklater
[Editor's note: Austin Film Society co-founder and filmmaker Richard Linklater recently curated "Jewels in the Wasteland," a series focusing on films of the early 1980s. Today, as a guest columnist for Slackerwood, he recommends other movies he was unable to include in the series.]
We're looking forward to continuing the "Jewels in the Wasteland" series at some point with films from 1984-1986! Below are various titles that would have fit nicely in this first section of 80s films. Before we get going again, we'll likely have some one-off screenings (hopefully Pixote and Baby It's You) that represent additional titles from the first part of the 80s, so keep an eye out for them.
In the meantime, please feel free to check out the below suggestions:
- Last month's Atlantic City begs you to continue with both Louis Malle's My Dinner with Andre and Bill Forsyth's Local Hero with Burt Lancaster. If you love Local Hero like I think you will, please check out an earlier film of his, Gregory's Girl. I noticed Danny Boyle included a clip from it during his Olympic opening ceremonies.
Conversations between artists have always fascinated me. It's one thing to listen to a conversation about someone who has been inspired by another person's work. It's another to listen to two well-known artists (in this case, filmmakers) compliment the other on work that the general public is familiar with. This is how filmmaker Gabe Klinger's film Double Play: James Benning and Richard Linklater feels to an audience: an intimate meeting and history of some intensely creative minds.
Every Austinite seems to have an opinion on Richard Linklater's films. Maybe you fell in love with Jesse and Celine in the Before series; maybe you could relate to being a stoner hipster like some of the folks in Dazed and Confused. Either way, Linklater's movies span across genre and style, held together by great stories with an engaging narratives. One would think his biggest influences would be filmmakers who create fast-paced comedies or heartfelt dramas. But although one can have many role models, Linklater cites filmmaker/documentarian James Benning as being one of his biggest.
Any documentary filmmaker will tell you that the process to make a film takes time. Filmmaker Gabe Klinger will tell you that the idea for his SXSW premiere film, Double Play: James Benning and Richard Linklater, was an idea that had been with him for many years.
Double Play examines the friendship between filmmakers James Benning and Richard Linklater. Klinger teamed up with local production company The Bear Media as well as the Austin Film Society to help bring this film to life. Through scenes filmed at Linklater's Bastrop home as well as archival footage, we as the audience can quietly observe these artists discussing their lives, art, and what it means to be a filmmaker.
I got the chance to ask Klinger a few questions via email before the film's debut this weekend. See what he has to say about how he approached these two filmmakers, as well as what his influences were in the process.
Attendees at this year's South by Southwest (SXSW) Film Festival will finally have an opportunity to watch the coming-of-age family drama Boyhood, written and directed by local writer and director Richard Linklater over a period of a dozen years. Shot for a total of 143 scenes in intermittent 39 days, Boyhood was well received at Sundance Film Festival last month where it debuted even before the credits were completed. Linklater -- seen above with Boyhood stars Ethan Hawke and Patricia Arquette -- seemed quite pleased that the movie had reached its own maturity.
Filmed from 2002 to 2013, Boyhood covers 12 years in the life of a family with a focus on the young Mason (Ellar Coltrane) and his older sister, Samantha (Lorelei Linklater). They must deal with the impact of their divorced parents' decisions and actions while maturing into their own individuals who can determine the course of own lives. Read my Sundance review here.
Austin filmmaker Richard Linklater finally unveiled his long-awaited epic drama Boyhood at the 2014 Sundance Film Festival, with a capacity crowd at both the premiere and press screening. Written and directed by Linklater and featuring Ellar Coltrane as the central character Mason, the movie is an opus of 164 minutes portraying the growth and influences on one boy. Mason -- along with his assertive older sister Samantha (Lorelei Linklater) -- faces the challenges of the dysfunctional family structure comprising the fiercely maternal Olivia (Patricia Arquette), who is desperate to provide a father to her children in lieu of an absentee father, Mason Sr. (Ethan Hawke).
Boyhood follows the family for 12 years, from 2002 to 2013, with seamless transitions between periods noted by aging of the main and supporting characters as well as by cultural references, music and wardrobes. From the introductory moment of Mason and Samantha engaged in a typical sibling interaction, viewers are engaged by the natural charm of these youngsters. As their father is "off in Alaska," Olivia must meet her children's needs while trying to fulfill her own desires for companionship and better herself through a college education.
This week marks the beginning of a film event that will no doubt turn out to be of lasting importance to many Austin movie lovers and the local film scene in general. The city's own Richard Linklater (if you're reading Slackerwood he needs no introduction) will begin presenting a series of films from the early 80s that, for various reasons, impacted him both as an appreciator and creator of independent cinema.
"Jewels in the Wasteland: A Trip Through '80s Cinema with Richard Linklater" begins Wednesday and is set to continue through May. The first five films have been announced so far, and aside from the time they were released ('81, '82 or '83), they seem to have little in common. That's the best part. This isn't a series simply curated by Linklater; he'll actually be on hand after each screening and will sit down for a conversation with Austin Film Society Programmer Lars Nilsen to discuss the whys and hows of that night's selection.
"What makes this such a momentous series to me is that we all get to share the simple joy of talking about movies with Rick," Lars told me in a email.
Take a look at the initial lineup below and don't wait too long to get your tickets; if the Austin film community is paying attention, these screenings should all be well attended.
This month's major "Film on Tap" event that I experienced was the "Austin at Sundance Party" at the Wasatch Brew Pub & Brewery. This Main Street brewpub, founded in 1986, was the first brewery in Park City since Prohibition, and features ski and snowboard movies every Monday night. More importantly, Wasatch was a great respite from the frenzy of Sundance premieres and liquor-heavy events elsewhere, with great craft beer and food at the Austin Party.
The party was co-sponsored by the Austin Film Society (AFS) and the Austin Film Commission, in honor of seven films that debuted at this year's Sundance Film Festival. AFS founder and writer/director Richard Linklater debuted his long-awaited film Boyhood last week to a full house at Eccles Theatre with over 1,200 attendees. Linklater is seen above with AFS Associate Artistic Director Holly Herrick, who also produced Ping Pong Summer, a whimsical underdog story written and directed by Michael Tully.
Yesterday, the Austin Film Society announced honorees for the 2014 Texas Film Awards, previously known as the Texas Film Hall of Fame Awards. The gala event takes place March 6 this year -- the night before SXSW Film begins -- and tickets are available both for the awards dinner and ceremony, and for the glitzy (and more affordable) after-party.
I've been to the awards (on the red carpet, at the ceremony or both) since 2008, and many of these honorees and presenters have attended before. Others have visited Austin, if not to the gala event. So I'm presenting the emcee, honorees and presenters announced yesterday in photographic format (whenever possible), to add to the fun. Keep reading and you'll find out why I chose that top photo.
First of all, this year's emcee is actor Luke Wilson. At the 2008 Texas Film Hall of Fame Awards, Wilson presented an award to Austin filmmaker Mike Judge. Here's Wilson on the red carpet that year: