The haunting events that occur while a young woman cares for her ill mother are the basis for thriller The Sideways Light. The dramatic feature is Austin writer/director/producer Jennifer Harlow's first full-length film, and screens as part of the Dark Matters content at Austin Film Festival. Before the fest kicks off, Harlow chatted with me via email about her subject matter, directing while introverted, and finding the right cast.
Slackerwood: Why focus on these two women and their intimate conflict? What drew you to tell their story?
Jennifer Harlow: I knew I wanted to write a ghost story. I was hung up on the idea of being haunted by memories. What if I took those three words literally? Who would that happen to? Someone that is losing their memory, someone that lives in a place full of memories. What if Grandma handed down more than her rocking chair?
If people in compromised states of mind are more sensitive to the supernatural, then a dementia patient and her caregiver/daughter are prime victims. Pile on that the fact that women are afraid of turning into their mothers. That was territory I knew I could write about.
The full lineup and schedule have now been announced for this year's Austin Film Festival. Along with buzzy Marquee Selections like Wild and The Imitation Game and a few exciting late additions, including Jon Stewart's debut film Rosewater, The Humbling (starring Al Pacino) and dramedy/musical The Last 5 Years, dozens of world and regional premieres are slated to screen, too -- many with Texas ties.
You can take a look at the full lineup and conference schedule (they're using Sched this year) and start planning your own path, but for now here's a quick overview of the films appearing at the festival made by and about Texans.
21 Years: Richard Linklater -- Austin is the perfect place for the world premiere of this documentary, as it covers the first 21 years of the local director's career. The film features interviews with some of Linklater's regular collaborators, including Matthew McConaughey, Julie Delpy and Ethan Hawke. You can bet this Friday night screening at the Paramount will be packed with proud local film fans.
Continuing from Part One, here are detailed descriptions of more 2014 AFS Grants winners. Again, if you have info we don't, feel free to share it in the comments or drop us a line if you're involved with one of the films.
Never Goin' Back (Narrative Feature) (pictured below)
- The grant: $2,500 (AFS Grant Award) for production and $5,000 (MPS Camera Award) for camera package and equipment rentals
- The blurb: "In an attempt to get rent money and avoid eviction, high school drop outs Jessie & Angela embark on a day of adventure that includes dudes, drugs, booze and an ill-advised heist. Just another day in the life of your average 16-year-old girl."
- The filmmaker: Augustine Frizzell was born in Texas and currently lives in Dallas. She has done quite a bit of work as an actress (her credits include Ain't Them Bodies Saints and Hellion), and she also directed the short film I Was A Teenage Girl, which screened at SXSW last year (Elizabeth's interview with her).
Congratulations are in order for several Austin and Texas filmmakers, as the Austin Film Society announced its 2014 AFS Grant recipients Tuesday. This year, $115,000 will be distributed to 40 individuals to help with production and distribution costs on a combined 37 feature and short films. Each year, we at Slackerwood look forward to this announcement because it provides a nice roundup of specific movies we can look forward to seeing in the coming months.
More than half of this year's grant recipients have never before received funding from AFS, and the remaining awardees include familiar Lone Star filmmakers like Andrew Bujalski, Yen Tan and John Fiege. All but three grants (not including Travel Grants) will assist Austin-based films -- there's a lot going on around here.
Here's an overview of this year's AFS Grant recipients along with a little context and background information. Let us know if you have anything to add, and feel free to reach out if you're involved with any of these projects and want to tell us more.
Shorts Break spotlights Austin and Texas short films that you can watch right here and now ... take a break and take a look!
For the inaugural edition of Shorts Break, I decided to go with puppets. You can't go wrong with puppets (just ask John Oliver), especially if there's a catchy tune too.
Keith & Heath is a short comedy from Andy Young, and if I'd written this two months ago, I would have called him "Austinite Andy Young" ... but he's just moved to Los Angeles after graduating from The University of Texas at Austin. Keith & Heath is his undergraduate thesis film. Young also worked on the Austin-shot feature Intramural. Rumor has it (okay, his Facebook page has it) that he's working for some other former Austinites this summer, the Duplass brothers. Besides being a filmmaker, he also contributes to Moviemaker Magazine (check out his recent interview with Richard Linklater).
It took 12 years to make Boyhood. After seeing it, it took me about 12 seconds to declare it one of the best films ever made.
That's right, gentle Slackerwood readers -- one of the best films ever made.
Read on only if you're fond of superlatives, for this review is laden with them. And Boyhood deserves every one -- it is nothing less than a monumental cinematic achievement, a movie that may redefine what is possible in the world of filmmaking. It is stunning and amazing and mesmerizing, and I could go on and on about it -- and will.
Boyhood's story isn't complicated. It follows a boy, Mason (Ellar Coltrane), and his family as he grows from age six to 18. Along the way, Mason experiences the wonders of youth as well as the heartbreaks, while his family tries to remain functional despite its dysfunction. Mason's life story isn't remarkable, but it's wonderfully told and deeply meaningful thanks to writer/director Richard Linklater's terrific script.
Jacob Wilson is a troubled kid. Like many teenagers, he's a rebel without a pause, constantly battling the adults in his life while figuring out who he is. But adolescent battles are far worse for Jacob than for most 13 year olds; his life can be as noisy, chaotic and dangerous as the motocross races he enters for a shot at stardom and a little respect from his family and friends.
Jacob (Josh Wiggins) is at the center of Hellion, Austin filmmaker Kat Candler's gritty new feature based on her 2012 short of the same title. We can't really blame Jacob for being the titular troublemaker. His mother is dead; his alcoholic father, Hollis (Aaron Paul), tries to take care of his sons, but needs to try harder. With his father physically or emotionally absent much of the time, Jacob must look after his little brother, Wes (Deke Garner). He also hangs out with a group of budding delinquents who entertain themselves with criminal mischief around their scruffy working-class neighborhood.
Normally I would not pay much attention to a movie about college guys bonding over sports, especially football. We get more than enough football here in Texas if you are not a fan. But Intramural lured me in -- shot in Austin; directed by Andrew Disney, who showed a nice touch with humor in his previous film Searching for Sonny; written by Bradley Jackson (The Man Who Never Cried). In fact, Jackson pretty much convinced Disney to direct Intramural during Hill Country Film Festival 2012 (after meeting him at Austin Film Festival -- this is why filmmakers should go to film fests), so it felt like a can't-miss as the HCFF closing-night film.
It turns out that Intramural is pretty damn funny, even for middle-age women who don't subscribe to the Texas Cult of Football. The plot is fairly standard -- a bunch of fifth-year college seniors (apparently this is a thing now) decide to get the band, er, intramural team back together for one last hoorah before they graduate. The guys had a championship team in their freshman year that was Marked By Trauma -- yes, it sounds a lot like a combination of Pitch Perfect and The Bad News Bears.
In fact, Intramural is more than aware that it is following in the footsteps of many sports-genre films. One character even gets all Abed (gratuitous Community reference, sorry) about it and makes specific things happen so they will go from underdogs to champions just like teams in sports films -- demanding a training montage, for example.
The characters tend to be types -- even the main character, Caleb (Jake Lacy) is your typical Average Guy In a World of Quirky-to-Bizarre People. His fiancee Vicki (Kate McKinnon) is absolutely insane, and one reason Caleb reunites the intramural football team is to get a breather from her plans and ambitions for him. Then you've got the Nemesis Team, led by evil Dick (Beck Bennett); victim-turned-passionate-coach (Nick Kocher); and the vivacious Cool Chick Who Loves Sports (Nikki Reed). Austin film fans will get a kick out of Sam Eidson as a stereotypical big football lug with an unexpected side talent that had the audience howling.
The cast takes their roles and runs with them. Lacy plays it straight and has a marvelous talent for understated reactions, not an easy thing to accomplish in a sea of over-the-top characters. McKinnon goes entirely in the other direction and makes a completely unpalatable character funny. Bennett, well, best seen to be understood. "Color commentators" Bill and Dan (D.C. Pierson and Jay Pharoah) are a little bit Jay-and-Silent-Bob-stoner like (except they both speak), but are funny enough to get away with it.
This month's list of films available online was all over the place. I was watching ridiculous Craig Robinson comedies and intense documentaries about the struggle to make art. "How the hell do I tie these together?" was the question, as my themes usually come to me quite easily. When I thought back about all of these stories, though, I finally found one kernel within each movie that linked them: topics we don't like to talk about.
What does or does not making something "taboo" is different for each of us. Some are universally obvious, but some might not strike us right away. We have to learn more and try to understand a situation before writing it off as totally unthinkable. Several of the films I watched this month explore topics that are hard to talk about, let alone make a movie about. When you get to know these characters though, you start to see where they are coming from.
I'm not saying they're right, or that they're even heroes. But they're people. They're human, just like you and me. Give their stories a shot this month.
It's time again to start thinking about the Hill Country Film Festival, which runs from April 30-May 4 in Fredericksburg. I just booked my B&B (although is it really a B&B if there's no breakfast? B&NB, perhaps?) and am looking forward to the coziest film festival I've attended.
HCFF is always fun for me because I don't have to rush from venue to venue, the parties are small and people are very friendly, and the audiences always seem to be excited about the movies. The fest is using two theaters this year, but they're not far apart, although it means some tough decision-making is in order.
Austin-shot feature Intramural (pictured at top) is one of the fest's highlights this year. The closing-night film is directed by Andrew Disney, who was at HCFF 2012 with his comedy Searching for Sonny, and written/produced by Bradley Jackson, whose short The Man Who Never Cried screened at HCFF 2012 (both movies on the same day, in fact). Intramural, which debuted at Tribeca Film Festival this week, is about fifth-year college seniors participating in intramural sports.