Yesterday, the Austin Film Society announced honorees for the 2014 Texas Film Awards, previously known as the Texas Film Hall of Fame Awards. The gala event takes place March 6 this year -- the night before SXSW Film begins -- and tickets are available both for the awards dinner and ceremony, and for the glitzy (and more affordable) after-party.
I've been to the awards (on the red carpet, at the ceremony or both) since 2008, and many of these honorees and presenters have attended before. Others have visited Austin, if not to the gala event. So I'm presenting the emcee, honorees and presenters announced yesterday in photographic format (whenever possible), to add to the fun. Keep reading and you'll find out why I chose that top photo.
First of all, this year's emcee is actor Luke Wilson. At the 2008 Texas Film Hall of Fame Awards, Wilson presented an award to Austin filmmaker Mike Judge. Here's Wilson on the red carpet that year:
Her, the latest film from Spike Jonze (which topped my own personal list of the year's best) won't be released in Austin until Jan. 10, but AFCA considered all films that had (or will have) a US release in 2013. Her also won Best Original Screenplay, by Jonze, and Best Score, by Arcade Fire. And AFCA created a special honorary award for Scarlett Johansson to recognize her voice work in the movie.
I've included the press release as well as the full list of awards and the group's Top Ten list below. A few notes about Austin and Lone Star connections:
It was another busy year for Texas filmmakers, and it looks like their hard work will once again be recognized with awards. Last week the 29th annual Film Independent Spirit Awards nominations were announced, and Austin and Texas-connected productions including Mud, Upstream Color, Computer Chess and Before Midnight are in the running in a variety of categories.
Up for Best Director you'll find Austinite Jeff Nichols (who participated in a featured panel at Austin Film Festival last October), nominated for Mud, and Shane Carruth, director of the Dallas-filmed Upstream Color. Mud (Holly Herrick's review) will also receive the Robert Altman award, which recognizes one film for its director, casting director and ensemble cast. Upstream Color (J.C.'s review) was nominated for Carruth and fellow Texan David Lowery's editing work, as well.
Continuing from Part One, here are detailed descriptions of AFS Grants winners this year -- not just the blurbs from the press release, but any other material I could unearth on the web.
Again, if you have info I don't, feel free to share it in the comments. Or drop us a line if you're involved with one of the films.
Pit Stop (narrative feature)
- The grant: $3,000 for distribution
- The blurb: Two men. A small town. A love that isn't quite out of reach.
- The filmmaker: Yen Tan is a Dallas filmmaker (Ciao, Happy Birthday) who has also designed posters and title sequences for a number of local/indie films, including the short Hellion -- check out a gallery via The Austin Chronicle.
Last week, the Austin Film Society announced its 2013 AFS Grants for 2013 --formerly known as the Texas Filmmakers' Production Fund (TFPF). Between the AFS Grants and Travel Grants, AFS is giving away $116,000 to Lone Star filmmakers ... including quite a few from Austin.
I love AFS Grant time. Of course, it's great to see local filmmakers getting needed funds and resources, and so on, but I like it because I get a sneak peek into upcoming Austin features and documentaries. Some of this year's recipients and projects should be very familiar to Slackerwood readers -- others are new to me.
In addition, it's a pleasure to look at the travel grants and realize that previous awardees completed their films, even if they haven't screened in Austin yet -- the grants allow filmmakers to bring Texas movies to film festivals around the world. For example. Russell Bush received grants to bring Vultures of Tibet to $500 to AFI Docs and Edinburgh International Film Festival, and Nathan Duncan was able to bring Ash to Full Frame Film Festival.
On the last night of the Sundance Film Festival, a special awards ceremony to honor the winners of special prizes and audience awards is held in Park City, just as filmmakers and judges alike are ready to crawl back under the rocks from whence they came for another year. It's the last opportunity to put on the Ritz, do some hardball networking and consummate that fling you've been gunning for all week.
These awards, unlike the ceremonies we watch on TV, are less about competition than camaraderie. As emcee Joseph Gordon-Levitt put it, "This is art. Not basketball." Even so, it never hurts to brand your emerging feature with more than just the Sundance official selection logo when negotiating with would-be buyers.
In the night's very first announcement, the Alfred P. Sloan Feature Film Prize went to the Austin-shot movie Computer Chess, from local filmmaker Andrew Bujalski. Producer Houston King, pictured above at right, accepted the award. The prize, which honors the union of science and film, means that $20,000 in funds will be made available to the team for their next endeavor. The jury selected the film based on its "off-beat and formalistically adventurous exploration of questions of artificial intelligence and human connections."
While other media outlets want to let you know which movie the Austin Film Critics Association picked for Best Film, and how many awards other notable movies won, here at Slackerwood we like to lead with Austin news. So I'm happy to tell you that the AFCA announced its 2012 awards this morning and Bernie, the Richard Linklater dark comedy starring Jack Black, Matthew McConaughey and Shirley MacLaine (not to mention Sonny Carl Davis), won Best Austin Film. Read Don's review and then watch the movie if you haven't already.
In addition, the critics group recognized Austin native Matthew McConaughey with a Special Honorary Award for his excellent acting in four movies this year -- not just Bernie but also Magic Mike, Killer Joe and The Paperboy.
Zero Dark Thirty won Best Film, in case you were wondering, and Paul Thomas Anderson was named Best Director for The Master (Don's review). Zero Dark Thirty won't open in Austin until January, unfortunately, so you'll just have to take our word that it's a very good movie.
The full list of awards plus the Top Ten, which includes one film from a native Texan, is after the jump. (Full disclosure: I am President of AFCA and Debbie Cerda is a member.)
The deadline to vote in the annual Austin Chronicle Best of Austin awards is today (11:59 pm CST, to be precise). Have you voted yet?
If you have not, I'd like to point out a couple of interesting categories in the Media section:
- Film Critic
- Local Entertainment Website
Why yes, that's a hint. All right, forget about the hinting, I'd love it if you voted for our website.
Last year, Slackerwood was fortunate enough to win a critics' pick award for Best Austin Movie Blog in the critics' pick section of the awards for our News Mega-Feed. I couldn't have been happier. This year, I'm wondering if we can at least be a contender in the awards you vote on, which would be pretty amazing. We have a number of great film critics here as well -- pick your favorite.
The Texas Filmmakers' Production Fund grant winners for 2012 were just announced last night. This year, the TFPF has awarded $121,000 worth of cash grants for filmmaking projects, resources such as film stock, camera goods/services and post-production services, and travel grants for Lone Star filmmakers to attend festivals where their movies are screening.
Not only is it a pleasure to see Austin and Texas filmmakers receiving needed funds and other assistance for their projects, but the list of recipients provides a great sneak preview of shorts and features we might expect to see in another year or two (or more). One project received a $15,000 cash grant for production; others received grants ranging from $1,000 to $10,000. Some names were very familiar, but I enjoyed learning about some new-to-me filmmakers as well.
What I've done below is to rearrange the descriptions of grant recipients from Austin Film Society's press release to pull out the Austin films and highlight them first; then the films from elsewhere in Texas. I've also added brief notes about many of the filmmakers.
Austin-connected filmmakers receiving TFPF grants:
ABOVE ALL ELSE
The story of the Keystone XL pipeline project and of the landowners and activists who set out to stop it.
$7,000 in MPS Camera Austin services for production/post-production
Note: Fiege's previous documentary was the excellent Mississippi Chicken. He was cinematographer on The Least of These and Inside the Circle.
Founded by actor and director Robert Redford in 1981, the nonprofit organization Sundance Institute is not only recognized internationally for its annual film festival in Park City, Utah, but also for its artistic development programs for directors, screenwriters, producers, film composers, playwrights and theatre artists. The organization has supported critically acclaimed film projects including Born into Brothels, Amreeka, An Inconvenient Truth, Angels in America and many more.
Eleven projects were selected for the Sundance Creative Producing Labs this year, held from July 30 - August 3. The selected producers receive creative and strategic support through the year as well as fellowships for direct funding of development and production. Two of the Fellows selected are in Austin, Texas -- producer Kelly Williams (Hellion, Cinema Six), former Austin Film Festival Program Director and Director of Programming of Forth Worth's Lone Star International Film Festival; and producer/director/cinematographer PJ Raval (Trouble the Water, Trinidad). Find out more after the jump.