I enjoyed several of this year's panels at Austin Film Festival, with my only complaint being how to choose between concurrent sessions. The quality and diversity of conversations and panels were superb.
My highlight was "Science Fiction versus Science Fact" on Friday, when Scott Z. Burns (Side Effects, Contagion), Eric Heisserer (Hours, The Thing) and Ashley Miller (Thor, X-Men: First Class) discussed the fictional future we see onscreen and how they've addressed unknown possibilities in their own screenwriting.
Burns spoke about preparing for Contagion by approaching it as if science fiction movie by asking experts, "Tell me what's possible? What hasn't happened yet?" He emphasized the importance of research first -- "it's a phenomenal procrastination tool, and you can get amazing gems for narrative" -- citing cell phone jammers as an example of how authorities plan to control the flow of information during crisis, which makes for a good dramatic point.
It's been a couple of years since I've attended the Fantastic Debates, but since I began "casually" training in boxing earlier this year I wanted to see how well this year's debate participants would fare in the ring. This unique showcase of battle of wit, intellect and combat techniques features both rounds of debate and boxing.
Chilean martial artist and actor Marko Zaror (The Redeemer) was onhand (pictured above) to coach Alamo Drafthouse/Drafthouse Films staffer Jenny Jacobi and founder Tim League. The tenth anniversary of Fantastic Fest featured four matches at professional kickboxer and former world champion Randy Palmer's South Austin Gym, with the following participants and topics:
I'm about to head right out the door again for the second day of Fantastic Fest, but thought I'd share a couple of photos from the Q&A at last night's opening-night film, Tusk. Kevin Smith and Justin Long were game enough to participate in Tim League's crazy opening rap before the movie, but sadly, I don't have any photos of that. Yet.
Moderated by League, Smith and Long (okay, mostly Smith) held a lively discussion after the film that was simulcast not only to other theaters at the fest but to other Drafthouse theaters in other cities. My favorite part was Long's eerily accurate Marty McFly imitation (don't even ask how we got there). I had to leave a little early but no one had asked any dumb questions up until that point, although admittedly the questions were being filtered beforehand.
Sin City: A Dame to Kill For had its Texas premiere at the Paramount Theatre last week, and writer/director Robert Rodriguez was on the red carpet for the hometown screening that benefited the Austin Film Society. Unfortunately co-director/co-writer Frank Miller missed his flight and with back-to-back premieres -- Los Angeles, Austin, New York -- it was not possible for him to be at the Austin screening.
Rodriguez said he made Miller a co-director because he knew visual storytelling, and as a fellow cartoonist Rodriguez knew Miller would love the experience.
"It's exactly the same thing, but you are using a camera and your paper characters will now talk to you because they are actors, and that will give you the biggest thrill." Additionally, Rodriguez told Miller that he would "be able to tell backstories that aren't even in any of your books.
Local and world-famous musical artists with roles in the film were out in full force at the screening, more than making up for the lack of lead actors and actresses.
The lobby of the Alamo Drafthouse Lakeline has been Planet of the Apes themed since its opening last summer, so no theater in Austin (or anywhere, really) could have been more appropriately attired for a sneak preview screening of Dawn of the Planet of the Apes Sunday afternoon. The movie's stars Andy Serkis (Caesar) and Gary Oldman (Dreyfuss), along with director Matt Reeves, were there in person for a Q&A. I was there too and took plenty of photos.
I had little idea what to expect from the movie Snowpiercer, as I had not even seen a trailer. But buzz for the movie had been overwhelmingly positive, and Tim League and the crew of the Alamo Drafthouse throw some of the best parties around -- so I found myself in a line late Saturday afternoon to board the Hill Country Flyer for a trip to Burnet and a Rolling Roadshow presentation of the film with director Bong Joon-ho in attendance for a Q&A.
If I had to place a wager on who will "out-Mars" Austin talent Jonny Mars with the number of film projects that one Texan can possibly be associated with in one year, my bet for the top contender is Dallas-based Farah White. At this year's Dallas International Film Festival, White was involved in five films as either a member of the cast and producer.
Hell hath no fury like a Texas woman scorned in Rachel Shepard's About Mom and Dad, a comedic drama of a couple whose decades-long marriage disintegrates. White leads the ensemble Texas cast as Teri, effortlessly delivering many of the film's witty lines including, "There are no sides -- you just need to know that I am right." Dallas-based Brent Anderson stars as dad Eddie, and Austinites Heather Kafka and Jonny Mars also appear in supporting roles in the movie.
White is also executive producer for About Mom and Dad, having acted in and produced Shepard's road journey drama Traveling, which premiered at DIFF 2011. About Mom and Dad stars Reece Rios, Melissa Odom and Texan actress McKaley Miller, and was shot in Marfa as well as the Dallas/Fort Worth area.
After a series of premieres across the country including SXSW and Dallas International Film Festival (DIFF), Joe opens today in Austin at the Violet Crown Cinema and Alamo Drafthouse Slaughter. Based on the novel by Larry Brown, this dark drama reveals the raw and often brutal nature of an impoverished family and what happens when a damaged man becomes involved in the family drama.
The leads of Joe are veteran star Nicolas Cage in the title role and Texas' up-and-coming young actor Tye Sheridan (Tree of Life, Mud) as Gary. Cage, Sheridan and Austin-based director David Gordon Green (Prince Avalanche) spoke to members of the press at a conference during SXSW last month. I also spoke with several cast members at the recent DIFF premiere.
Green said he was attracted to the script for Joe because it struck him as "a great contemporary western, a genre that I’ve always been drawn to." He was already familiar with Brown's novel, and had even worked on a documentary about the author.
The 2014 Dallas International Film Festival (DIFF) opened last week with the premiere of Words and Pictures, a lovely comedic drama starring Juliette Binoche and Clive Owen as teachers at a prestigious academy who go head-to-head over the timeless literary vs. artistic debate.
As it's shot in Vancouver by Australian director Fred Schepisi and features big-name and critically acclaimed stars, this movie's Texas connection may not be obvious at first. However, Schepisi -- pictured above with his wife and "muse" Mary Schepisi -- proclaims a strong bond to the Lone Star State because his first American film Barbarosa, starring Willie Nelson and Gary Busey, was filmed in west Texas in 1982.
Schepisi quipped during the Q&A that "Texas is the one state that has the same sense of humor as Australia -- I feel sorry for you," but spoke highly of the support from Dallas. Words and Pictures would not have been possible without its producers, who are mostly Dallas-based private investors including Curtis Burch, Derrick Evers and Bob and Judy Gass.
Working a film festival, selfies and internet privacy. These were just a few things that writer/director Nacho Vigalondo and actors Elijah Wood and Sasha Grey chatted about regarding their latest film, Open Windows, shot partially in Austin.
The movie premiered at SXSW (my review), and I was beyond eager to hear firsthand what went into the making of this film. Check out what they had to say about what drew them to the idea, as well as the technological hurdles they had to overcome.
Slackerwood: Congratulations on the premiere of your film here at SXSW. How does it feel to bring it back to Austin?
Nacho Vigalondo: It's amazing, but I prefer to come here [to this festival and others] without a movie because I enjoy movies -- I love watching them. I love other people's movies more than mine. I enjoy making my films, but I don't enjoy watching my own films. I hate to be a critic to myself.