Meeting special guests, attending the panels and shopping for comics, graphic art and movie memorabilia may be the biggest attraction of Wizard World Austin Comic Con, but it's the costumes that really grab the attention on the Austin Convention Center floor at this year's convention. Throughout the weekend, attendees showed off their costumes on the main stage as well as at special cosplay meet-ups. Also this year, Comic Con added multiple Sci-Fi Speed Dating events to the schedule -- I peeked inside and observed several participants of both sexes, all in full costume.
Watching the young kids interact with their favorite superheroes was quite entertaining-- clowns and Santa might be frightening to youngsters, but Spiderman had a constant entourage of young kids eager to interact including Spidergirl, Thor and another girl whose costume was not as easily identified (seen at top).
Check out more of the great costumes at this year's Austin Comic Con after the jump.
My perception of fantasy conventions in the past was that they tend to be more adult-oriented with anime and cos-play, but the Wizard World Austin Comic Con provides a well-rounded experience for families to enjoy together. Until this weekend I had never seen children attending a panel, yet there were several young kids in the Tailchaser's Song Animated Film Sneak Peek session on Sunday. The movie is an animated adaptation of Tad Williams' popular novel about a group of feral cats who journey through the treacherous world of humans and other animals.
Local producer Paul Alvarado-Dykstra and associate producer/writer Bethany Rhoades (pictured above) talked about how this project came to fruition and provided a "behind-the-scenes" look at the concept art of the film. Local animation artist and voice actor Samantha Inoue-Harte -- who was unable to attend due to illness -- brought in Animetropolis, which she co-owns with Alvarado-Dykstra. Rhoades had initially approached Inoue-Harte for a consultation on how to adapt Williams' novel to the screen, and Inoue-Harte was enthused enough to also join as a producer for the project.
Despite the cold and rainy weather this weekend, massive crowds turned out for the Wizard World Austin Comic Con for a chance to see their favorite television and film stars as well as experience the "Day of The Doctor" 50th Anniversary with a well-attended BBC America simulcast screening. The most popular costumes at this weekend's event were obviously Doctor Who related, with scores of "Weeping Angels," various incarnations of the Doctor and sonic screwdrivers held high.
Oddly another costume that I saw frequently was that of Kevin Smith's recurring character, Silent Bob, which was even more popular than The Walking Dead Daryl and Merle Dixon. Speaking of the Dixon brothers, the lines in the autograph pens were quite long for Norman Readus and Michael Rooker (pictured above). I chatted with Rooker briefly -- he spoke of enjoying the rooftop scene of The Walking Dead episode "The Prologue," especially the aspect of "manipulating the audience in understanding what Merle is about."
If you've not had a chance to attend a Comic Con, this year would be a great opportunity to check out this jam-packed multi-day event right here in Central Texas this weekend, from Friday, Nov. 22 through Sunday, Nov. 24. Wizard World has not only expanded the number of Comic Cons held each year, but also the content to include more television and film-related programming.
This weekend at Austin Comic Con, stars available for photo and autograph sessions range from Sean Patrick Flanery and Norman Readus of The Boondock Saints fame to The Hulk himself, Lou Ferrigno -- seen above at the 2012 Austin Comic Con. Star Trek captains William Shatner and Scott Bakula will also be in attendance, with Shatner accepting his "Honorary Austin Citizenship" from Mayor Leffingwell on Friday evening at 5:30 pm at the Austin Convention Center.
Speaking of The Hulk, Marvel will be debuting its new animated film Iron Man & Hulk: Heroes United on Saturday, with a special appearance by Hulk voice actor Fred Tatasciore as he introduces the film and hosts a Q&A.
To say I have been all over Austin Film Festival would be an understatement. Although this is my third festival to attend, it is the first year that I have gone as a writer instead of an AFF staff member.
My experience has been a little different than that of my fellow Slackerwood contributors. I kicked off the festival Thursday afternoon in the OnStory Press Room, assisting in taping interviews for the television show's upcoming fourth season. We had a pretty packed schedule over the first four days of the conference, so I wasn't sure how being in that room for the majority of the festival would affect my overall experience.
It ended up being the time of my life. Even though I was just asking a certain set of questions for the show, I got to chat face-to-face with some great writers such as David Lowery, Rian Johnson, Vince Gilligan, Ray McKinnon, Jonathan Demme, Callie Khouri and many others. To hear these filmmakers talk about their process, including the challenges they face in their craft and how they overcome them, was truly inspiring. I may not have attended all of the panels I wanted, but I feel that I took away some very valuable information just from these interviews.
I never know how early to arrive to line up for an AFF panel; I tend to err on the side of caution and was downtown an hour before the first panels I wanted to attend. Before "A Conversation with Callie Khouri" began on Sunday morning, I actually saw her in the bathroom. Yes, I stopped myself from asking when Avery and Juliette will finally hook up on Nashville (but inquiring minds want to know!) -- and didn't even ask her about it during the panel itself.
Ben Blacker (creator of the Nerdist Writers Panel podcast) led the interview with Khouri, who told us about her childhood in Kentucky (after her birth in San Antonio). She read a lot for stimulation, but as for writing, "I never thought it was something I could do."
Khouri wrote Thelma and Louise in six months after living and working in L.A. for a time. This screenplay was the "greatest experience writing I've ever had... I felt like something had come to me... it consumed me." She didn't follow any guidelines for screenplay structure and didn't even use an outline, "I knew nothing about screenwriting." She began with the idea that two women go on a crime spree, and it took off from there. She said the whole feeling of the movie came to her at once, like "being punched in the heart."
Once in awhile, you look at an Austin Film Festival panel listing and your heart just goes pitter-pat. Or thumpity-thump. Or whatever noise it is when you are especially excited about a panelist. I may be old and jaded but still susceptible. When I saw Elaine May would be in Austin for the fest, I decided I would go hear her speak no matter what time of day it was and what else I was supposed to be doing.
But last week was a little crazy for me, and I am never very organized with my fest scheduling, so it's not really surprising I got the date of Elaine May's panel wrong and missed it. (Dale Roe has a great write-up.) However, I did make it to Rollins on Friday to see A New Leaf for the first time and enjoy a Q&A from star/writer/director May.
This 1971 film is May's directorial debut -- she also co-stars in it with Walter Matthau. He's brilliant, she's brilliant, it's terribly funny, and I just found out it's on Amazon Prime streaming so I can watch it again soon. Preferably with my husband, who might find some sympathy with a character who's involved with someone terribly flaky who can't put her clothes on properly and has crumbs all over her front after eating and falls down and spills things a lot.
Continued from Part One, here's the rest of my interview with Austin filmmaker Robert Rodriguez and Machete Kills star Danny Trejo, pictured above at the Fantastic Fest red carpet with actress Alexa Vega.
Slackerwood: It seems like you enjoy revisiting your characters in multiple movies -- why do you think you want to keep bringing the characters back?
Danny Trejo: Well, they're good actors.
Robert Rodriguez: I was very much inspired by George Lucas. He wanted to do a Flash Gordon movie, but couldn't get the rights, so he wrote his version instead, which is called Star Wars. I thought, that's such a cool thing. Instead of going and doing a James Bond movie, go and make your own James Bond series, and put things in it that you love -- base it on my family, call it Spy Kids. Or do a guitar-player series of movies.
You know, actually El Mariachi was designed to be a low-budget series, so I started with the genesis in the very first movie. He doesn't become the guy with the guitar case full of weapons until the last scene in the movie. Spy Kids -- they don't become "spy kids" until the last scene in the movie. And Machete doesn't really become that iconic icon holding up the machete and leading the people until the last scene of the movie.
If you haven't seen Machete Kills yet (Don's review), the best way to see it is with a large and enthusiastic audience -- or even a small group of lively friends. It's such silly fun that audience reactions are a must. Robert Rodriguez shot the sequel to Machete in the Austin area, whether you recognize it or not, with a cast that includes Mel Gibson, Sofia Vergara, Antonio Banderas, Charlie Sheen and Lady Gaga. It even includes a fake trailer for a third Machete film ... set in outer space.
And of course, Danny Trejo returns in the title role, which he's been playing since Uncle Machete appeared on the scene in Rodriguez's 2001 movie Spy Kids.
I sat down with Rodriguez and Trejo shortly before the movie opened Fantastic Fest this year -- the photo of Rodriguez, Alexa Vega and Trejo above is from its premiere that evening. Here's what they have to say about James Bond, film franchises, Texas film incentives and shooting in Austin, among other things. There may be minor spoilers if you consider Machete Kills spoilable, which it isn't, really.
Slackerwood: So about 15, 20 minutes into the movie, I realized I was watching a James Bond film -- definitely when I saw the speedboat.
Robert Rodriguez: Yeah, the speedboat! You're like "Wow, he's a secret agent. He's a Mexican secret agent."
Last month Mondo announced a new venture into soundtracks produced on vinyl, starting with the limited edition release on black 180-gram vinyl, and randomly-inserted milky yellow/clear vinyl of the score created by "Chucky Namanera" for the science fiction thriller Timecrimes. This film about an ordinary man whose life is changed -- repeatedly -- by the consequences of traveling back in time by just one hour debuted at Fantastic Fest 2007 and found U.S. distribution shortly afterward.
Austin composer and writer Brian Satterwhite collaborated with Mondo on the project for this previously unreleased soundtrack, and hosted a special screening and Q&A of Timecrimes during this year's Fantastic Fest at the new Alamo Drafthouse Lakeline. A limited number of the LPs with artwork (pictured at right) including the cover by Australian artist and commercial illustration studio We Buy Your Kids was available for sale at the screening and online.
Namanera is actually the nom de plume of filmmaker Eugenio Mira (Grand Piano, Agnosia), who attended the special screening along with Timecrimes writer/director Nacho Vigalondo and producer Nahikari Ipina. Mira said he prefers to use an alias for his musical accomplishments to keep them separate from his work as a writer and director.