One of the more entertaining aspects of registering at SxSW is the chance to see filmmakers and entrepreneurs promote their movies and products in clever ways. For the premiere of her university homecoming doc 'Bama Girl, director Rachel Goslins positioned spokesmodel Carolee Gee (above) at the Convention Center dressed as a homecoming queen. Needless to say the flyers for her film disappeared in a hurry.

Bama Girl premieres Monday, March 10th at the Alamo Ritz at 1:30 p.m. and plays again on Tuesday and Thursday. Check out the entry on SxSW's site here.

Several of this year's SXSW documentaries focus on events in other parts of Texas. Austin playwright and filmmaker David Modigliani has been working for some time on a movie about Crawford, Texas, which many of us hadn't heard of until it became known as the home of the Bush ranch. Modigliani showed a rough cut of his film Crawford last year at an Austin Film Society Doc-in-Progress screening, and now the documentary is having its world premiere this week at SXSW. This is producer/director Modigliani's first feature-length film.

I was curious about Crawford, and then I met David on Wednesday night at an AFS pre-SXSW mixer, so I emailed him a few questions. Our discussion follows.

If you're a filmmaker who is bringing a movie to South by Southwest (or any festival) this year, you really ought to read Film Festival Secrets, the website run by frequent Slackerwood contributor Chris Holland. Over the past week, Chris has posted a three-part series of helpful hints that are especially geared toward SXSW.

• Part One focuses on last-minute preparation, and although I'm not a filmmaker I wish I'd read it earlier, because I completely forgot that I wanted a new set of business cards. (And I saw a really snazzy Moo card for Tulia, Texas this week that made me envious.)
• Part Two offers good advice on improving your film's website, which I personally cannot agree with enough. It drives me crazy when I want to write about your film and I can't find any info or stills online. So then I pick another movie's stills to use instead. Get the hint?
• Part Three tells you what to do before you leave for Austin, so go read it right now, before you get on the plane or in the car. Go! Now! He also links to some good guides to local restaurants, which I found helpful myself because I don't eat in that part of downtown very often.

Chris is also planning a Part Four, so keep an eye on his site this week.

The first thing that struck me when I read about Goliath was the cast, which was full of names familiar to Austin film fans. Writer-director David Zellner has one of the lead roles, and his brother, producer Nathan Zellner, is also in the film. In addition, the list of actors includes Wiley Wiggins (who does so many different things that I don't know how to preface his name), actor/filmmaker Andrew Bujalski, local filmmaker John E. Bryant (whose short Loveolution is premiering at SXSW, and who's also a producer on Baghead), animation expert/filmmaker Bob Sabiston in what may be his first feature-film acting gig, and Austin Film Society programmer Chale Nafus. I don't associate most of these people with acting, but they're all part of the local film community.

The choice of cast made me wonder just who these Zellner guys are, anyway. I've seen some of their short films, the last three of which premiered at Sundance in the last three years. And now in 2008, their feature Goliath also premiered at Sundance, and is making its way to SXSW this week. Not only was I intrigued by the filmmakers, but I thought that I'd be accused of some kind of bias if I interviewed the Duplass brothers and not the Zellner brothers. (Aside: Why don't we have any sister acts in indie filmmaking? Hmm.)

So I emailed a few questions to the Zellners, and here's what they had to say about Goliath.

The above photo is from the premiere of Hannah Takes the Stairs at the Paramount during SXSW last year. What's interesting to me is how many of these people will be at SXSW this year. Let's start from the right of the photo and work our way over:

• Kent Osborne is involved in making the new SXSW house ads (Burger Hut?) for this year's festival, and has a role in Nights and Weekends.
• Greta Gerwig co-directed and co-wrote Nights and Weekends, and is starring in the Duplass brothers' movie Baghead.
• Joe Swanberg co-directed and co-wrote Nights and Weekends with Greta Gerwig.
• Mark Duplass co-directed Baghead (with Jay Duplass, who incidentally has a role in Nights and Weekends).

And those are just the ones I know. Andrew Bujalski was also in the cast of Hannah, although he's not in the photo -- you can see him at SXSW this year in Goliath and Registered Sex Offender.

Who else is in this photo that has something going on during SXSW this year? Let us know in the comments.

I vividly remember the screening of The Puffy Chair I attended during SXSW 2005. The brothers who wrote and directed the film, Jay and Mark Duplass -- why did their names sound so familiar? And their mom, who was in the film, handed out buttons with little puffy chairs on them afterwards, and she looked vaguely familiar too. I thought about going to talk to them after the screening, but they were mobbed.

So I called my mom, because I suspected this might be a case of the old familiar "New Orleans has one degree of separation, not six" syndrome. I was right. In fact, my mom had just seen Cindy Duplass over at the grocery store and had heard all about her sons' new movie. Years before, my mom had bugged me over and over again about how I should try to get in touch with one of my little brother's high-school cross-country team buddies who had moved to Austin, but I didn't see why I would want to hang out with one of his bratty, jock-y friends. And now that track-team kid, Jay Duplass, had teamed up with his little brother Mark to make movies, some of which had played Sundance.

I ended up emailing the guys and then meeting them in person in 2006, when they showed The Puffy Chair at St. Edward's University and did a long Q&A about the business of indie filmmaking. We had several things in common: that weird background of both New Orleans and Austin, film geekiness, and a delight in making slightly mean jokes about my brother.

Jay and Mark Duplass will be back in Austin next week for SXSW to show their latest feature, Baghead. The minute I heard the title, I had to wonder if they were inspired by a certain New Orleans sports-based trend that occurred in my childhood. And I was right ... sort of. We did a quick email interview earlier this week about the film.

Note: A 2010 guide to SXSW Film Fest venues is now available.

You might remember Slackerwood's handy SXSW film-fest venue guide from 2007. We've compiled an even handier guide for 2008. The theaters have changed slightly, primarily due to the downtown Alamo Drafthouse location moving to Alamo Ritz. (The old Drafthouse venue is now a trendy nightclub ... where the Facebook Film Garage is being held during SXSW. Very strange.)

These guidelines to Austin theaters playing SXSW movies are intended to help visitors who want to maximize the number of films they see in a day, or who want to make sure they're able to find decent meals between or even during the movies. The most important thing to remember is that you can't walk between all the SXSW venues and you shouldn't try. To get to Alamo on South Lamar or even the Dobie, consider finding a cab, bus, friendly Austinite with a car, or even renting a bicycle to use during your time at the fest.

If you're interested in taking the bus (which costs a whopping 50 cents per trip, or $1/day), Capital Metro's Route 3 can take you from downtown to Alamo South Lamar, and you can take Route 1/101 or the Red Dillo (which is free) from Congress Ave. to the Dobie. I recommend using the Trip Planner to figure out your schedule, and allow plenty of time especially during rush hour.

Here are the six SXSW 2008 theaters, with info on location, nearby food, and nearby wireless access. If I've missed some tips and tricks (or good nearby places with wireless), please add a comment or email me and I'll be happy to update this guide.

When I wrote about SXSW short films recently, I mentioned a film called X that was directed by Josh Brolin. I wasn't sure at the time whether the filmmaker was actor Josh Brolin, who's been in a couple of films shot in Texas: Grindhouse and No Country for Old Men (pictured above).

As usual, SXSW film fest director Matt Dentler has the scoop for us: The director of X is in fact that Josh Brolin, and the Eden Brolin who stars in the film is his daughter. The short will play three times at SXSW, and both Brolins plan to be in attendance at the first screening on Saturday, March 8. (It's playing before the documentary Tulia, Texas and of course you should stay for both.) I notice it's playing at Dobie, which is not a large theater, so if you're a Josh Brolin groupie you should plan to get there early.

Check out the SXSW listing for X for details on its scheduled screenings as well as a trailer for the film.

America Unchained was one of the few docs I got to see in a theater at the Austin Film Festival this past year, but I'm really glad I did. It's one of those movies that might not be so impressive sitting down by yourself with your DVD player, but really takes off when you see it with an audience. So much so that it won the Audience Award at AFF for Best Documentary.

Comedian Dave Gorman’s quest is a simple one: to drive cross country from Los Angeles to the Atlantic Ocean never spending a cent at a chain restaurant, chain hotel or chain gas station – independent businesses only. But in a country where the mom and pop shop is nearing extinction, does the independent spirit of America still thrive enough to go coast to coast? And how do you do it all while being a vegetarian, anyway? Gorman and Devonshire’s insightful film opens up the back roads of the country to find the heart of America.

On some levels the movie is very much a process film -- you spend some time wondering if Gorman isn't manipulating events to make a better picture -- but there are a number of genuine moments that more than make up for those few moments of incredulity. (Seriously, he couldn't have brought along an extra can or two of gas?) Highly recommended, especially for Austin's citizenry who have a mad on for Wal-Mart.

America Unchained shows at the Alamo Lake Creek on Thursday night at 7:30 pm. Admission is $4 or free for AFF members.

[Editor's Note: Jette Kernion would like to shamelessly plug her review of America Unchained written for Cinematical last year as part of Austin Film Festival coverage.]

From February 9 - 11, star of River's Edge and Charlie's Angels Crispin Glover gave several performance readings of his books and screened the first two films of his controversial self-produced and directed It trilogy at the Alamo Ritz. This is what he had to say during the post-screening Q&A about his books, slideshow, self-funding his projects, and his films What Is It? and It is Fine! Everything is Fine.

"I have been performing the slideshow since 1992," Glover said, "after writing and publishing books through my company Volcanic Eruptions. I try to play to the humor in the material which I perform from the books [including excerpts from The Rat Catcher, The Backwards Swing, and Around My House, among others]."

"I started experimenting with old books in the early 1980s, blacking out parts of text by drawing tendrils and such using India ink or writing in the margins. I've always drawn and wrote since I was a child. I was taking an acting class near a bookstore which sold bindings from the 1800s for cheap, so I used books I picked up from there. Around 1985 or 86, I finished my first book Around My House. I have completed 18 books so far and plan to complete several different slide show versions using excerpts from various books.