The Austin Film Festival just sent me their latest email newsletter with a list of new panelists for the 2014 conference, and I thought I'd share it with you. And yes, there's a local filmmaker in the list. I should not even have to tell you which one, since we've written about her movies enough that you can figure it out.
Here's the list:
- Vera Blasi (Emperor)
- Kat Candler (Hellion)
- Stephen Falk (Orange is the New Black)
- Susannah Grant (Members Only, Erin Brockovich)
- Marti Noxon (Buffy the Vampire Slayer)
- Rick Jaffa and Amanda Silver (Rise of the Planet of the Apes)
You can read a complete list of 2014 panelists on the AFF website. Austin Film Festival runs from October 23-30 this year.
Also, don't forget that the next film in AFF's "1968" series is Rosemary's Baby, which screens next Tuesday, July 29 at 7 pm at the Texas Spirit Theater in the Texas State History Museum [tickets].
Austin's getting fest-y (and the rising summer temps aren't to blame) with recent news about two new fall film festivals, plus some updates from a longtime local favorite fest.
The fest-o-meter will get turned up a few notches as the weather (hopefully) starts to cool beginning in September with the inaugural MondoCon. Sponsored by the Austin-based art-and-media company/gallery Mondo, MondoCon is scheduled to take place smack dab in the middle of Fantastic Fest, the city's annual genre festival, from Sept. 20-21 at the Marchesa.
MondoCon will be more than a poster show -- with panels, screenings, special guests from various disciplines and good food options. Single and full-weekend tickets are on sale while supplies last. All VIP badges for Fantastic Fest get full-weekend admission.
Fan favorite artists and legends like Hellboy creator Mike Mignola and award-winning comic book artist Bernie Wrightson, among others, are expected to be in attendance at MondoCon. In celebration of the festival, Mignola created a sold-out movie poster for The Bride of Frankenstein (pictured at right).
MondoCon will be accepting volunteer applications in conjunction with Fantastic Fest. Volunteer information will be available next month.
The holidays can, indeed, be out of this world. And a group of local filmmakers and science-fiction enthusiasts are pushing those boundaries with the launch of Austin's first dedicated science-fiction film festival, Other Worlds Austin, from Dec. 4-6 at Galaxy Highland 10 (6700 Middle Fiskville Rd.).
Bears Fonte, former director of programming for Austin Film Festival, founded Other Worlds Austin as a shorts program after discovering the number of excellent sf movies that other fests just didn't seem to have room for. Now that he's no longer with AFF, he expanded his idea into a full weekend festival for science-fiction shorts and features alike.
Change is in the air at Austin Film Festival: They recently announced a few major updates to the film and conference staff structure and have also revealed a year-round programming slate packed with special events.
First, former Conference Director and Film Programmer Erin Hallagan has been named Creative Director of the newly-combined Conference and Film departments. Austin Film Festival (AFF) Co-Founder and Executive Director Barbara Morgan describes Hallagan as "an inspired programmer and leader" and calls her promotion "the natural next step."
Also taking on new roles are Elizabeth Mims and Harrison Glaser, both previous festival employees, as well. Mims was a Young Filmmakers Program Director at AFF and also directed Only the Young, a documentary selected to screen during AFF in 2012 (here's Elizabeth's interview with the Austin-based filmmaker). Mims will now act as a Senior Programmer for the festival. Glaser, who served as a Conference Assistant for the last two years, has been named the new Film Program Coordinator.
The official festival doesn’t happen until October, but several AFF-hosted screenings and panels take place between now and then. Highlights include the On Story conversation series and an ongoing partnership with the Los Angeles-based Writers Guild Foundation.
Awards season is in full swing, and the Austin Film Festival, known for its recognition of screenwriters, announced last week that Academy Award-winning writer/director Jim Sheridan (My Left Foot) will receive this year's Distinguished Screenwriter Award, joining past award recipients Harold Ramis and Robert Altman, among others. Sheridan will accept the award at the fest's annual awards luncheon on Oct. 25 and will also speak on panels during the 2014 conference.
Other confirmed panelists at the 21st annual AFF and Screenwriters Conference, which will take place Oct. 23-30, 2014, include writers and producers from such television series as Breaking Bad, Girls and Seinfeld and movies like Fight Club and Donnie Darko. Some of these industry insiders will be present for meet and greets and roundtables during the conference, as well. Read the full list of 2014 panelists at the bottom of this article.
But you don't have to wait until October to stay up to date on the movie industry. This Saturday, Beau Willimon -- creator of the Netflix Original Series House of Cards -- will discuss the show's creative process at 2 pm at the Harry Ransom Center through AFF's Conversation in Film Series.
Updated Nov. 18, 2013.
The Slackerwood team was all over Austin Film Festival this year. Here's our coverage, including guides, reviews, interviews and fest dispatches.
Austin Film Festival may be well behind us, but I am still thinking about some older Texas films at the fest that I stumbled upon almost accidentally. As I was planning my schedule for the Sunday of the fest on Saturday night, I noticed some oddly named films at the Rollins with descriptions that included "Texas independent film." I ended up skipping My Man Godfrey (which I can watch any time) to see what this screening was about.
All I knew about Invasion of the Aluminum People (1980) and Speed of Light (1981) were that apparently Jonathan Demme liked them, since he was going to "present" them. I assumed "presenting" meant he would do a nice intro, then scoot, as is typical at many such events.
The theater was about halfway full and I was one of the younger audience members. Later I would learn that many people in the audience had worked on one of the two films, or provided music, or been in a band with someone involved with the film. Both films employed a lot of musicians as their cast and crew. Well, it was Austin in 1980, I kind of assumed most of the people living here were musicians (or claimed to be). Austin filmmaker Richard Linklater sat a couple of rows in front of me, and I took that as a good omen -- this must be worthwhile.
Written and directed by University of Texas graduate Michael Bilandic (who we interviewed before Austin Film Festival began), Hellaware is a playful modern morality tale that explores the ups and downs a young photographer experiences while trying to make himself a part of the New York art scene.
Hellaware stars Keith Poulson (Somebody Up There Likes Me) as Nate, a slacker with abstract dreams of fame and just a few vague ideas about how to actually achieve it. After his girlfriend (Kate Lyn Sheil) dumps him to be with the pigtail-wearing Brooklyn artist of the moment, he descends into a downward spiral of self-pity and complaints. One night while attempting to mute his sorrows with booze, drugs and the internet, Nate and his friends (played by Sophia Takal and Duane C. Wallace) stumble across something on YouTube that is mesmerizing in its repulsiveness.
An absurd rap/rock video made by an Insane Clown Posse-type group (they're called the Young Torture Killers) captures Nate's attention, and before he knows it he's setting off to Delaware to track down a bunch of violence-obsessed teenagers with a taste for purple drank. Nate looks down on the group (he thinks they are backwards and terrible musicians), but is also intrigued by their authenticity. These audacious kids are different from the pretentious wannabe-artists he's surrounded by, and ultimately he hopes to capitalize on their rawness to his own advantage -- ideally in the form of a photography show that will jumpstart his career.
What follows is an arrangement where Nate takes what he wants from his subjects (exploitative photos they haven't given permission to use), and then a sleazy art gallery owner in turn takes advantage of Nate. Talk of truth and beauty goes out the window when money and notoriety beckon, and soon enough everyone starts to show their ugly sides as tempers flare, friendships tangle, and egos get really, really big.
When was the last time you talked to your next door neighbor? With all of the crazy reports out there in the news today, it seems that we as human beings have become more closed off to the world. I recall having a realization that, after almost one-and-a-half years of living in my apartment, I had never introduced myself to (or even seen) the person next door. I'm sure I looked rather foolish making an introduction after so long, but it seemed so unusual to live right next door to someone and not know anything about them -- even their name. Writer/director Ron Judkins explores this exact topic in his latest film, Finding Neighbors.
Sam (Michael O'Keefe) is a graphic novel artist, famous for works he did many years ago. It appears that he's hit a lull in his career and is struggling to create anything for his latest book (we gather this through the many voicemails from his publisher). Although he is happily married to his wife Mary (Catherine Dent), he still seems to be missing some sort of outside connection. Working from home doesn't help this problem, either. Sam feels as if things won't ever change -- until he meets his sassy gay next-door neighbor, Jeff (Blake Bashoff). Jeff knows about Sam and his work, but Sam knows nothing about Jeff. In learning about Jeff's life and struggles, Sam begins to put the pieces of his life back together.
Director Alexandra Lescaze came to Austin and spent several years following a group of local women, most of whom met via a Yahoo message board for BBWs (or "big beautiful women"), for her second feature-length documentary film, All of Me. They started out as a tight-knit support group not just because they were all overweight, but because they were proud and happy about it.
As members of the National Association to Advance Fat Acceptance, the majority of these ladies came together to celebrate and have social outings where they wouldn't be judged by the outside world. While the group initially seems to have a strong resistance to losing weight, the film focuses on the successes and struggles of a few of them to undergo weight-loss surgery and how it affects everybody around them.
A long-form poem set to film and interspersed with dialogue, Sombras de Azul from Kelly Daniela Norris takes the viewer on a scenic trip to Cuba. Maribel, played by the director's cousin Seedne Bujaidar, arrives in the country after the sudden death of her older brother Carlos. In the touristy areas, silent museums and colorful back streets of Havana, she looks for hints of her brother at the same time she pays a sort of tribute to him.
During her short time in the country, Maribel meets friendly cafe owners, a Swedish tourist (Charlotta Mohlin, True Blood), and carpenter/failed thief Eusebio (Cuban actor Yasmani Guerrero). Each in their different way aid in her healing process.
Sombras de Azul moves in quiet meditation, with Maribel's reflections about her brother spoken over scenes of landscape, cityscape or beach. People in white congregate on the streets for an unnamed sacred event. Maribel sits silently in a graveyard under a tree, the audio of her narration softly spooling out a tall tale Carlos once told her about a snake.