Special Screening

Ed Wood

in
Date/Time: 
Wednesday, January 13, 2010 - 9:05pm - 11:15pm

As part of its Winter Film Series, the Paramount is showing a Tim Burton-themed double-bill with Edward Scissorhands and Ed Wood.

Edward Scissorhands

in
Date/Time: 
Wednesday, January 13, 2010 - 7:00pm - 9:00pm

As part of its Winter Film Series, the Paramount is showing a Tim Burton-themed double-bill with Edward Scissorhands and Ed Wood.

Young Frankenstein

in
Date/Time: 
Sunday, January 10, 2010 - 4:20pm - 6:15pm

As part of its Winter Film Series, the Paramount is showing a Mel Brooks-themed double-bill with Young Frankenstein and History of the World: Part I.

History of the World: Part I

in
Date/Time: 
Sunday, January 10, 2010 - 2:30pm - 4:30pm

As part of its Winter Film Series, the Paramount is showing a Mel Brooks-themed double-bill with Young Frankenstein and History of the World: Part I.

History of the World: Part I

in
Date/Time: 
Saturday, January 9, 2010 - 9:05pm - 11:00pm

As part of its Winter Film Series, the Paramount is showing a Mel Brooks-themed double-bill with Robin Hood: Men in Tights and History of the World: Part I.

Robin Hood: Men in Tights

in
Date/Time: 
Saturday, January 9, 2010 - 7:00pm - 9:00pm

As part of its Winter Film Series, the Paramount is showing a Mel Brooks-themed double-bill with Robin Hood: Men in Tights and History of the World: Part I.

Robin Hood: Men in Tights

in
Date/Time: 
Friday, January 8, 2010 - 9:05pm - 11:00pm

As part of its Winter Film Series, the Paramount is showing the classic comedy Young Frankenstein on a Mel Brooks-themed double-bill with Robin Hood: Men in Tights.

Young Frankenstein

in
Date/Time: 
Friday, January 8, 2010 - 7:00pm - 8:45pm

As part of its Winter Film Series, the Paramount is showing the classic comedy Young Frankenstein on a Mel Brooks-themed double-bill with Robin Hood: Men in Tights.

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in
Date/Time: 
Sunday, January 10, 2010 - 7:00pm

Rated NR; 82min; Director:Chris Smith


"Americans generally like to hear good news. Pundits tend to restrain their pessimism and hope for the best. But is anyone prepared for the worst? Meet Michael Ruppert, former Los Angeles police officer turned independent reporter, he predicted the current financial crisis in his self-published newsletter at a time when most Wall Street and Washington analysts were still in denial. Sitting in a room that looks like a bunker, Ruppert recounts his career as a radical thinker and spells out the crises he sees ahead. He is especially passionate about the issue of peak oil, the concern raised by scientists since the seventies that the world will eventually run out of fossil fuel. Listening to his rapid flow of opinions, the viewer is likely to question some of the rhetoric as paranoid or deluded, and to sway back and forth on what to make of the extremism. Director Chris Smith (AMERICAN MOVIE, THE YES MEN) lets viewers form their own judgments. While other observers analyze details of the economic crisis, Ruppert views it as symptomatic of nothing less than the collapse of industrial civilization itself.
(Thom Powes, TIFF)"

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in
Date/Time: 
Monday, January 11, 2010 - 7:00pm

Rated NR; 82min; Director:Chris Smith


"Americans generally like to hear good news. Pundits tend to restrain their pessimism and hope for the best. But is anyone prepared for the worst? Meet Michael Ruppert, former Los Angeles police officer turned independent reporter, he predicted the current financial crisis in his self-published newsletter at a time when most Wall Street and Washington analysts were still in denial. Sitting in a room that looks like a bunker, Ruppert recounts his career as a radical thinker and spells out the crises he sees ahead. He is especially passionate about the issue of peak oil, the concern raised by scientists since the seventies that the world will eventually run out of fossil fuel. Listening to his rapid flow of opinions, the viewer is likely to question some of the rhetoric as paranoid or deluded, and to sway back and forth on what to make of the extremism. Director Chris Smith (AMERICAN MOVIE, THE YES MEN) lets viewers form their own judgments. While other observers analyze details of the economic crisis, Ruppert views it as symptomatic of nothing less than the collapse of industrial civilization itself.
(Thom Powes, TIFF)"

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