Review: Blackhat


BlackhatAs someone whose alter-ego has a career in IT, I approach a film about hackers with lowered expectations. I don't want to dislike it, but I certainly have a heightened expectation that I will dislike it due to glaringly inaccurate portrayals of people doing things that to a trained eye are utterly ridiculous. What I never expected was that Blackhat would maintain an above-average level of accuracy in its portrayal and that my problems would mostly be the more mundane complaints a critic might have for any film that is just not very good.

My largest complaint is a technical problem that has little enough to do with computers. The film is, even to a lay person,  unfinished. A subpar audio mix makes dialogue at times difficult to understand. Poor or incomplete color correction results in inconsistency in the picture, which in the final action scenes looks exactly as if we're watching at home on a television with a 120fps frame rate enabled. This was the first movie that director Michael Mann shot completely without film, but his first digital outing is no excuse for failure to remove the "stock footage" watermark from a shot in the first five minutes of the film.

Reflecting on the experience, it seems as though Mann must have been in a tug-of-war with writer Morgan Davis Foehl, as he takes a methodical, largely boring script with uninteresting paper-cutout characters and tries to pull from late 80s and early 90s influences to liven it up. The camera zooms past a technician onto a keyboard and then inside a computer to a circuit board and then still deeper to a microscopic level where we see pulses of energy travelling through individual transistors in a chip. I could have almost thought for a moment I was watching Lawnmower Man or Electric Dreams.

"Blackhat" is a term applied to computer hackers who use their skills for good instead of nefarious purposes, staying on the right side of the law, a fact not mentioned in the film. The fact is also not precisely applicable to star Chris Hemsworth's character Nicholas Hathaway, a felon convicted for hacks that cause millions of dollars in damages to several banks. Actually, Hathaway, with skills that supposedly make him the only man capable of helping the FBI (in the form of Viola Davis) track down the bad guys, doesn't really do much in Blackhat that even qualifies as hacking. His biggest feat is tricking a director of security at the NSA into clicking an email attachment that wouldn't fool my mother.

After this point, Mann abandons most anything to do with hacking as the script devolves into gun battles and car chases with a final confrontation cribbed from James Bond. By the end, Blackhat is neither a realistic portrayal of hackers nor a satisfying action vehicle for a megastar like Hemsworth. Unfortunately, with the release of Blackhat, great hacker films are just as few and now farther between.


Actually, a WHITEhat hacker is one that uses their skills for "good". A Blackhat is exactly the opposite.