Review: The Wolverine


The Wolverine

This is the Wolverine movie we've been waiting for, and waiting for, and waiting for... mostly. Not long after the poorly-received (yet still wildly profitable) X-Men Origins: Wolverine in 2009 it became clear that a sequel was likely to be made. Unfortunately, with a completed script by Christopher McQuarrie and Darren Aronofsky announced to direct, the project was subjected to delays after the departure of Aronofsky, a script rewrite by Mark Bomback, and the Japanese earthquake and tsunami in 2011.

Directed by James Mangold, Hugh Jackman returns as The Wolverine in a film that explores the character's personal history and most difficult struggle after a mysterious enemy blocks his healing ability and renders him powerless. The Wolverine takes place after events in X-Men: The Last Stand forced Wolverine to kill his love, Jean Grey. Now dreaming of her every night and vowing to give up his Wolverine persona to never again hurt anyone, Logan has exiled himself to the Yukon to live in isolation. We find him here at the conclusion of an introductory scene, where he dreams of surviving the bombing of Hiroshima and saving the life of a Japanese soldier there.

This was one of my favorite scenes, not only for the vivid and horrifying depiction of nuclear devastation but also because it presents a selfless heroic moment from Logan. It was a powerful way to reacquaint the audience with the character and set the stage for the rest of the film. The strength of that scene gives way, however, to the first of several weak points in the movie.

After coming upon the remains of a hunting party and finding the grizzly who attacked them suffering from poison, Logan is forced to put the bear out of its misery and then immediately abandons his vow to never again hurt anyone. He travels to the nearby town and confronts the lone surviving hunter in a bar. He is soon on the verge of killing everyone in it before being stopped by a mysterious Japanese girl who takes him away, explaining that she was sent by her employer Yashida, the soldier he had saved in Hiroshima.

From this point on, the story is a difficult to follow jumble of characters given too little screen time and who fade out and reappear with shifting motivations and loyalties. Logan is offered the chance to give up his immortality in order to save his dying friend, but he declines the offer. Almost immediately, he finds himself without his healing ability, fighting to save Yashida's granddaughter from Yakuza, who disrupts his funeral to kidnap her.

This is a more personal story that draws heavily (but not without alteration) from the Wolverine comics. Even without his healing ability, Wolverine is still incredibly tough, strong, and wearing an adamantium skeleton. He's almost the only mutant in the movie, but the smaller-scale action and fight choreography are superb. In spite of the few weaknesses in the story and somewhat overdone summer-blockbuster nature of the final-act battle, this is one of the better entries in the X-Men franchise. Be sure to hang around during the credits for a tease a la the lead-ins to The Avengers.