Review: Starbuck

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Starbuck

Too much of anything is not good, except maybe it can be. Starbuck is a lighthearted comedy that explores a fresh take about the serious side of what it means to be a father through the lens of someone totally unprepared not just for one child, but for 143 of them.

David Wozniak (Patrick Huard) is a perpetual screwball who has never managed to make the right choices in life. In his forties, working as a delivery driver for his father's butchery, with thugs shaking him down for $80,000 in unpaid debts, David learns of his girlfriend's pregnancy. At the same time, he is confronted by a lawyer with some surprising news.

The lawyer represents a fertility clinic where, during his twenties, David was the most prolific donor, having made deposits over 600 times. It's explained that he has very high-quality sperm, and the doctor who operated the clinic was a little crazy and thus used David's material in the impregnations of over 500 women. Now 142 of his progeny have gathered to form a class-action suit to force the clinic to reveal David's identity.

Until the case is settled, they've prepared profiles of themselves, because they want "Starbuck" (the alias under which the donor is listed) to know something about his children. Faced with a choice between continuing his irresponsible ways or taking control of his life with his girlfriend and new(est) child, David finds himself unable to resist the urge to involve himself in his other children's lives, and thus learn the extent of his own strength.

Ken Scott and Martin Petit have written an extraordinarily original script that is both charming and hilarious, and Scott's direction displays a flair for comedic timing that brings the story to life. From the opening shot, he sets up a scene just enough for the audience to get comfortable with a situation before pulling the rug out from under them to hilarious effect. It's a surprising and effective tool Scott wields when the mood grows too serious.

It's unusual to single out a production for particularly effective extras casting, but in Starbuck, I enjoyed noting the myriad ways that 142 different people -- male and female, of different races -- all had some look, trait or mannerism that was recognizably shared with David.  Any parent dreams of the potential futures for his or her children. To actually visibly realize so many possible futures cinematically is quite an accomplishment.

Nothing is ever quite as simple as it seems, and as the story unfolds we learn there is much more method to David's madness. Starbuck is genuinely funny, though not slapstick comedy, and also a heartwarming look at paternal responsibility.