'Wrong' and 'Rubber': Quentin Dupieux at Alamo Drafthouse


Quentin DupieuxBy Callie Caywood Schuette

Filmmaker Quentin Dupieux has already acquired a cult following the likes of which is rarely seen so early in a career. Recently he visited Alamo Drafthouse Village in Austin for a double feature of his first feature-length films, Wrong and Rubber. When he asked who in the audience of the sold-out screening had already seen both movies about to be shown, more than a quarter of the theater eagerly raised their hands. This is no doubt in large part due to the fame he's garnered as his experimental-electro alter ego, Mr. Oizo. While Dupieux is still a budding name in film, Oizo has been heard around the techno scene for over 15 years. A history like that is bound to breed some seriously dedicated fans.

Once the closing credits for Wrong rolled, host Eric Vespe (aka "Quint" of Ain't It Cool News) called Dupieux on stage to the sound of enthusiastic applause. Dupieux was completely at home in the spotlight, and immediately took ownership of the Q&A. At once playful and sarcastic, he repeatedly provoked surprised barks of laughter.

When Dupieux was asked if any events depicted in Wrong were based in reality, he shrugged. "I tried to make a film that was half true, and half stupid." In response to probes about the fictional book that appears in the film, Dupieux murmured coyly, "I haven't read it." His answers were all brief, and spiked with a biting wit. Yet despite his bumptiousness, it was hard not to like him. Yes, he's an erratic driver, but damn if it isn't a fun ride. 

In a moment of technical difficulty, the mic Dupieux is holding started to fade in and out of static feedback. He handed it off to a theater manager, and took the interruption as an opportunity to approach a couple of patrons in the front row. "Can I?" he smiled, already plucking pieces of popcorn from their bowl and tossing them into his mouth. Without missing a beat, he jumped right back into goading the audience for more questions. Dupieux proves a master trickster, and we're all at his mercy.

While trying to describe his directing style, Dupieux mused that his mission is to create something that looks and feels like "a very pleasant nightmare." To him, happy dreams are boring. He favors the reeling high that comes with being lost so deeply in the bizarre realms of your subconscious you wake up feeling feverish. Based on his reception so far, he is not alone. 

Callie Caywood Schuette is an intern at the Austin Film Society.

[Photo credit: "Quentin Dupieux: Festival Deauville 2012" by Elen Nivrae. Found on Flickr, used under Creative Commons license.]