Premieres

Have you seen Crawford, the documentary about the town where George W. Bush bought a ranch before becoming President? The film, directed by local filmmaker David Modigliani, screened earlier this year at SXSW. You can read my review from the festival, and I also interviewed Modigliani about the documentary.

Now you have the chance to see the film -- even if you don't live in Austin. B-Side Entertainment bought the distribution rights for Crawford, and plans to release the documentary by premiering it on Hulu.com on Tuesday, October 7. This is the first time a feature-length film will have its premiere on Hulu. I don't have details yet on exactly how this will work, but I know that some TV shows and films are available for limited times only on Hulu, so my guess is that the movie can be streamed from the website just for Tuesday. In the meantime, if you visit the Hulu page for Crawford, you can watch a trailer.

After its Hulu premiere, Crawford will be available on the B-Side site for download, streaming, or to purchase on DVD. This is a fairly non-partisan documentary, so if you want to have a politics-themed movie night before the upcoming election, you can watch it with both your liberal and conservative friends and relatives.

Fantastic Fest is finally over, and Austin Film Festival is still a few weeks away. Now's the time for local film-fest geeks to catch up on the mainstream movies they've been missing (pssst ... go see Burn After Reading). Or maybe it's time to look beyond the film festivals and find all kinds of interesting events occurring in the next week or so. Here are a few screenings you might not want to miss.

• Austin Film Society is going outdoors at just the right time of year. On Wednesday, you can watch Dirt Road to Psychedelia for free at Republic Square Park -- live music at 7 pm, movie starts at 8 pm. This documentary about Austin during the 1960s and 1970s sounds like lots of fun.
• In fact, why not make a night of it on Wednesday? After you finish your movie in the park, head over to Alamo at the Ritz at 9:30 pm for a free double-feature from 1960s exploitation filmmaker Joe Sarno: Abigail Lesley is Back and All the Sins of Sodom. Sarno will actually be at the screenings, too.

Photos of Matthew McConaughey, even when he's wearing a shirt, never do grow old, do they? Of course not. That's why I knew you wouldn't mind waiting for me to put together this little photo essay from the Surfer, Dude premiere.

The thing to realize about red-carpet events is that they truly can be a circus, but that this is not always a bad thing. Some people go to giant malls on the day after Thanksgiving, some people go to Mardi Gras in the French Quarter, and some of us go to red-carpet events. I have to wonder -- if they get this crowded and chaotic in Austin, how is it in New York or LA? Or perhaps in those big cities they're a lot more blase about it. This event was called a "green carpet" but it was as red-carpet-y as we get in Central Texas.

I arrived at the Paramount and was assigned a spot not far from the door into the theater, next to Cole and Bobby, who write for (natch) Cole and Bobby at the Movies, as well as Study Breaks magazine. We were joined shortly thereafter by Statesman arts and entertainment editor Michael Barnes, who positioned himself right next to the door, so he could do some short interviews for his Out and About column and blog. This was great for me because I could take photos while the guys were interviewing people.

Last week, for the first time, I used the term "neener-neener-neener" in the title of something I'd written. My inner six-year-old was too excited that instead of an NYC premiere, and Austin getting the movie a month later (which you know is the unfortunate norm), Baghead was going to start its limited run right here in Austin, and New Yorkers would just have to wait to see the Duplass brothers' latest film. You can read the details of the release strategy in my "Neener" article for Cinematical. I am sure that Jay and Mark Duplass would be pleased to hear that they were an indirect cause of juvenile glee for Austinites.

Baghead also gives Austin the pleasure of hosting the kind of premiere you don't normally see in Manhattan -- out in the woods, with free s'mores for audience members. Austin Film Society and Alamo's Rolling Roadshow have cooked up Thursday night's screening out at Star Hill Ranch, where parts of the movie were shot. Tickets are still available through the AFS site. If you really want to get fancy, you can pay extra for a multi-course feast before the film. Jay and Mark Duplass will be there too ... with bags on their heads? Who knows?

Check out the email interview I did with the Duplass brothers before SXSW this year, in which they offer deep and meaningful insight into the inspirations for Baghead. The photo above is from the Q&A after the Baghead screening at SXSW and while it's far from the best photo I took, it captures the attitude of cast and crew at the time. I have to say, I saw the official trailer for the film this weekend, and it doesn't quite capture the fact that this is a funny movie, poking fun at what people have called "mumblecore" as well as adding a splash of horror.

If you can't make it to Thursday night's screening, you can catch Baghead in Austin at Alamo on South Lamar and the Arbor. You can enjoy not only the movie itself, but the satisfaction of seeing it before the rest of the country. Neener!

Tickets go on sale Friday at noon for the Austin premiere of John Sayles' latest film, Honeydripper, screening at the Paramount on Tuesday, Jan. 22. Director John Sayles, producer Maggie R­enzi, and actor/musician Gary Clark Jr. will all be in attendance.

I've been looking forward to seeing Honeydripper for some time. The movie is set in rural Alabama in the 1950s and centers around a blues club, the Honeydripper Lounge. Besides Clark, the cast includes Danny Glover, Stacey Keach, Mary Steenburgen, Sean Patrick Thomas, and Keb Mo. Check out the official website for more info on the movie and some related videos (interviews with Sayles, etc.)

Austin Film Society has all the details on the events surrounding the premiere -- there are several different levels of ticket prices. The most expensive ticket (still only $25) gets you admission to an after-party at the Continental Club where Clark and Eddie Shaw will perform. A slightly cheaper ticket gets you into Antone's the next night for a concert with Clark, Shaw, Pinetop Perkins, and Hubert Sumlin. You also can buy tickets for the screening only, which range from $7-12 depending on where you sit. You have to buy tickets through the Paramount, so remember to tack on a few extra bucks to those ticket prices for various service charges and so forth.

I've heard Sayles and Renzi speak before (on an excellent panel at SXSW 2006 about regional indie filmmaking and Lone Star) and I can't wait to hear them at this upcoming Q&A.

Finally, I decided this week that I need to remember and m­ake use of YouTube videos that might be of interest, so here's the trailer for Honeydripper.

I probably should have written up a whole Movies This Week post last night, but -- you know. December. Holidailies. No time. All that. Mea culpa.

However, I felt that even at the eleventh hour, I should let you know that Alamo Lake Creek is showing the latest masterpiece from the notorious Troma Entertainment studios, Poultrygeist: Night of the Chicken Dead, starting today. And if you decide to see this film at tonight's 7:30 pm showing, director Lloyd Kaufman will be on hand.

If you don't know anything about Lloyd Kaufman, check out this interview with him on Austinist. He sounds like he'd provide one of the livelier post-screening Q&As you might ever experience.

Poultrygeist will be showing nightly at Alamo Lake Creek all week long. Hey, it even has Ron Jeremy in it. How can you resist?

I've waited so long to write about the Grindhouse red carpet here (not to mention that I wrote the above phrase a whole month ago -- I'm such a procrastinator) that the film has its allure ... however, what goes around comes around. With the upcoming premiere at Cannes of Quentin Tarantino's segment Death Proof as a stand-alone film, perhaps people will be interested in seeing the film's celebrities all glitzed-out at the Paramount back in late March. As a tribute to the original double-feature cut of Grindhouse, I've split this entry into two parts. (Or maybe because the entry was too long.)

First, you should read my Cinematical article about the Austin red carpet to see the best photos I took, including a fabulous one of Tarantino. He finally stood still long enough for me to take a photo that didn't look like a blur! I was thrilled. However, I took so many photos that I have plenty to share here too.

In Part 1 of the Grindhouse Adventures in Red Carpet (which you should read before this entry), I had just managed to take non-blurry photos of Quentin Tarantino and was very pleased. One thing I didn't mention in Part 1 was the zombie invasion. For some reason, the crowd of fans at the Paramount included zombies ... or people dressed as zombies, I couldn't be sure, except they seemed not to be eating brains. Some were just watching the fun, but some obviously wanted to join the media:

The next celebrity on the red carpet was Jordan Ladd, who played one of the first group of women in Death Proof (aka "the one in the Alamo Drafthouse t-shirt"). I didn't realize, until I looked her up on IMDb, that she's Cheryl Ladd's daughter. I like this photo because first of all, I'm wondering what someone said to cause her to make that face; and second of all, well, just look in the background on the left:­

Filmmaker David Lynch decided to include Austin in his multi-city promotional tour of his latest film, Inland Empire, which he is self-distributing. On Wednesday night, every seat in the Paramount was filled for the local premiere of the three-hour film, followed by a Q&A session with Lynch.

I had hoped that Lynch would hold a red-carpet event with a cow, or perhaps hang out on the corner of Congress and Sixth with a cow to advertise Inland Empire, like he did to promote Laura Dern's performance. I'd heard he was planning to include a cow in the tour. However, no cows were sighted anywhere near the Paramount.

I was happy enough to have the chance to hear and see Lynch himself.

The "TBA screening #2" on Austin Film Festival's schedule has been revealed: the controversial feature Death of a President. The BBC-produced movie uses existing news footage to create a fake documentary in which Bush is assassinated. The movie is having its first U.S. public screening right here in the capital of Texas.

You can see the movie tonight at 7 pm at the IMAX theater -- yes, the one inside the Texas State History Museum, interestingly enough. After festival badgeholders and passholders have been admitted, anyone can buy tickets for the remaining seats. I'm probably going to see Werner Herzog's Rescue Dawn myself (Paramount, 7:30 pm) -- it's a tough choice.

Last night I watched Special, which so far is my favorite film of the festival. Michael Rapoport plays a mild-mannered meter maid who participates in a trial experiment for a new antidepressant, with bizarre results. The movie plays again on Wednesday night at Alamo Lake Creek, and I'd recommend it to festivalgoers. I also caught the midnight screening of Snoop Dogg's Hood of Horror, which I thought would be good cheesy late-night fun, but which didn't quite deliver.