2011 in Review: Mike's Best and Worst


LoveI sat down to create a top ten list last year, and found it stretched to 15. This year, my first pass found almost 35 worthy titles. When I removed from that list any films that won’t actually be released until 2012 or that never received a U.S. release, I still had 26 titles, and found it impossible to put them all in exact order, but I did whittle it down to a top ten.

But before I share that list, I also want to mention notable movies in the following categories:

Best Action and Stunt Photography: Mission: Impossible - Ghost Protocol
The movie is great, revitalizing the Mission: Impossible brand.  If you’re going to spend $150 million, your product better look this good. The scene shot in Dubai (you know the one) alone is an achievement worthy of an award. (J.C.'s review)

Best Comedy: Horrible Bosses
This did everything right where The Hangover Part II went wrong. (my review)
Special Mention: A Very Harold & Kumar 3D Christmas (Jette's review)

Best Animated: Rango
Before Scorsese released Hugo, his love letter to film, ILM released Rango, its love letter to film lovers. I would put this against any Pixar film. (my review)

Best Remake: Footloose
Craig Brewer accomplished the unthinkable with a superb retelling of the 1984 hit. (my review)
Special Mention: Fright Night (my review)

2011 in Review: Don's Top Ten and Other Lists


Five Time Champion

Here are my top ten and other notable films from last year. To be eligible for my list, a movie had to release in the U.S. in 2011 and screen in Austin in 2011 also. (Some well reviewed 2011 releases have not yet opened in Austin.)

1. Hugo
Martin Scorsese leaves his cinematic comfort zone with this family-friendly film, and the result is spectacular. Set in 1930s Paris, Hugo is the story of an orphan absorbed in a mystery involving his late father. But it's really an unabashed love letter to the magic of movies -- something Scorsese understands as well as anyone. Combining a captivating story, amazing 3D visuals (far more than a gimmick in this film, they're used to great effect) and a deep and abiding love of filmmaking, Hugo is no less than a masterpiece. (Mike's review)

2. Shame
A frank, raw and unnerving look at sexual addiction with a rare NC-17 rating, Shame follows soulless, bitter New Yorker Brandon Sullivan (Michael Fassbender) and his depressed and directionless sister Sissy (Carey Mulligan) on their downward spirals into emotional hell. Fassbender and Mulligan give the year's most fearlessly provocative performances in what is arguably the year's most fearlessly provocative film, one that lays bare many ugly truths about human relationships with brutal honesty. Looking for the feel-good film of the year? Skip this one. (my review)

2011 in Review: Elizabeth's Favorite Performances


Cast of Bridesmaids

It's January, awards season is nigh and it's already time to look back to a few weeks ago when it was 2011. Out of the many and various movies I saw last year, some included outstanding, memorable performances that deserve a little more attention. While I haven't yet seen The Iron Lady or We Need to Talk About Kevin, this list is my attempt to shine a light on my favorite onscreen performers from 2011.

1. Viola Davis, The Help 
Davis' Aibileen speaks in stoic glances, gently assures her baby charge that she is loved, and slowly opens up to Skeeter (Emma Stone).  

It's been months since I've seen the film, but the image of Aibileen running through the streets of Jackson after Medgar Evers' assassination remains fresh in my memory. In this moment especially, Davis has made her character so real and sympathetic that the viewer shares her fear. Davis is the standout of a marvelous cast. (my review)

2011 in Review: Jenn's Alternative Best Of Awards


The Way, Arc Entertainment

2011 was a tough year for Texas with the lack of rain, and not exactly a bountiful year for cinema, at least for films with theatrical distribution. But there are some gems this year, often missed by the average audience. So instead of a top ten list, I've decided to do an alternative best-of list that highlights the eclectic mix of outstanding films of the year. While it is Austin-centric, I honestly think some of the best movies this year have strong local connections. So without further ado ...

The Damned Shame Documentary Oversight: Incendiary: The Willingham Case (review), The Interrupters (review), Where Soldiers Come From (review)
Let's get the one negative award over first, not because the films are bad, but because they deserve more attention than they've received. The Academy of Motion Picture Arts and Sciences doesn't publicize the long list of qualifying documentaries before releasing the short list, from which the five nominees will be chosen. And it's a damned shame, as they are topical, provocative and very entertaining -- and all very aptly named. You will laugh, cry, be outraged and leave the theater with your worldview permanently altered for the better. And it just happens to be a coincidence that two of the three have strong Austin connections (and the other played SXSW).

Most Sneaky Charm: The Way (pictured above)
I was very resistant to this movie until reading Mike Saulters' review. This tale of a man on an unexpected, melancholy pilgrimage completely won me over, even with the predictability and montages. The Way is a subtle charmer.

Classic and New Comedies at the Paramount This Month


Love and Death

Just in time to break up the dark days of winter -- which in Austin apparently means 70 degrees and sunny, not that I'm complaining at all -- the Paramount Theatre is screening some classic and new funny movies in its Winter Comedy Series this month. The films range from Will Ferrell vehicles to Richard Pryor stand-up; Woody Allen to Eddie Murphy; and a certain locally shot favorite. The week-long series runs from January 22-29.

The movies are being shown in double features, and one ticket can get you into both films in one night. If you have a Paramount Film Fan membership, you can get a discount on ticket prices, online or at the box office.

The lineup is detailed below.

Review: The Devil Inside


The Devil Inside

If you watched Paranormal Activity and its sequels, and thought to yourself you could get rich by copying that formula (and doing it badly), you might be William Brent Bell, writer and director of The Devil Inside. This movie tries to do for possession what Paranormal Activity did with poltergeists.

Made for a miniscule sum (although it probably looks cheaper than its actual budget), The Devil Inside is at best described as inept and at worst blatantly disdainful of the audience. It is the only film I have seen where the audience as one booed and hissed as the final credits began to roll.

The Devil Inside presents, documentary-style, the story of Isabella Rossi (Fernanda Andrade) as she attempts to uncover the truth about her mother, who is confined to a psychiatric hospital in Rome. Maria Rossi (Suzan Crowley), has been confined since the death of three people during an attempted exorcism. After a brief and disturbing meeting with her mother, Isabella turns to a pair of priests who are performing unsanctioned exorcisms of victims who have been denied by the Catholic Church.

After Isabella convinces the priests that her mother is indeed possessed, the group sets out to perform an exorcism in the hospital, and hijinks ensue. Many of the biggest of them are given away in the trailer itself. It all leads up to an ending that is a shocker only for its blatant stupidity and the fact it directs the audience to a website with an address nobody will care about or even remember five minutes after leaving the theater.

The only remotely good thing in this stinker is Suzan Crowley’s acting, as she clearly revels in a role she was born to play. The scenes with her have a palpable tension, but The Devil Inside is not a film I could recommend even to the lustiest of schlock movie fans. If you have enough morbid curiosity to see this in a theater, buy a ticket for The Artist or Young Adult, and sneak into it (assuming you've already seen both of those). At least the movie is blissfully short, so if they kick you out, you won’t miss much.

Movies This Week: Beneath the Spy Inside


The Devil Inside, courtesy Paramount Pictures

Welcome to 2012. After last week's lack of new theatrical releases, this week is still a slow week this week for new movies, but there are some special screenings. Tonight over at Alamo Drafthouse Ritz, you can get drunk with Tom Cruise... or rather watch him at his cockiest while you knock back a few specially crafted beverages at Cocktails with Cocktail. And on Saturday you can go back to the Ritz for a special screening of The Increasingly Poor Decisions of Todd Margaret with creator and star David Cross. At Alamo on South Lamar, Graham Reynolds will be accompanying screenings of A Trip to the Moon paired with Hugo in 3D on Saturday and Sunday afternoon.

On Tuesday, you can see Once Upon a Time in the West for free at Austin Public Library's Milwood Branch as part of the Weeknight Cinema Series. Also on Tuesday, the new Essential Cinema Series "The Great Escape: Three European Émigré Filmmakers" kicks off with Fritz Lang's classic thriller, M

Movies We've Seen:

The Devil Inside (pictured above) -- Another week, another exorcism film. Here's a preview from Mike's review, which you can read in full this weekend: "William Brent Bell attempts to replicate the Paranormal Activity formula and apply it to exorcisms. The unfortunate result, The Devil Inside, is harder to swallow than New Coke. Not even recommended for people who really really like awful movies." (wide)

Tinker Tailor Soldier Spy -- Since this John Le Carre' adaptation has now expanded to wide release, it only seems fair to mention it again. Check out Elizabeth's review. (wide)

Slackery News Tidbits, January 6


Here's the latest Austin film news:

  • IndieWIRE has kicked off its interview series "Meet the 2012 Sundance Filmmakers" with a pair of Austin filmmakers you might already know: Nathan and David Zellner. The interview has some interesting tidbits about their feature film Kid-Thing, which will premiere at the fest later this month.
  • Local filmmaker/instructor Geoff Marslett's animated movie Mars, which played SXSW in 2010, is now available on Netflix Watch Instantly. Read Jenn's review and her interview with Marslett about the film. Reactions to the movie, now that it's more widely available, inspired a thoughtful blog entry about indie films from Hipstercrite, aka Lauren Modery, Marslett's writing (Loves Her Gun) and romantic partner.
  • SXSW Film Festival is trying a new method for selecting its encore screenings this year: input from you. This Tugg page has a list of past SXSW award winners that the fest may show again this year; you can select one or more and no, you don't have to register to vote or anything annoying like that. Selections include Thunder Soul, Incendiary: The Willingham Case and Marwencol (and now you know how I voted).
  • Two other local film festivals are ready for you to send them your movies for consideration in their lineup. Fantastic Fest is now accepting film entries for the 2012 festival, which takes place September 20-27 this year. Austin Film Festival is open for submissions for films as well as screenplays for their fest, running October 18-25.

Interview: What Kind of Person is Tom Copeland?


Tom CopelandIt takes a certain kind of person to be in the movie industry. Tom Copeland, former Texas Film Commission director, teaches Texas State University-San Marcos students what it takes to persevere in the industry. A lesson he teaches in his courses is what he refers to as "Scared Straight: What Kind of Person Are You?"

I had the opportunity to speak with Copeland to find out what kind of person he is. The Meadow High School graduate's interest in theater flourished while studying under legendary high-school drama coach Noyce Burleson, who set the state record for most consecutive UIL One-Act Play Contest appearances and wins.

As a high-school student, Copeland became active in Texas Tech University's theater program, where he met Fred March, former Texas State Department of Theatre and Dance chair. He enrolled at Texas State, back when it was Southwest Texas State University, in 1969.

During his time as a Texas State student, Copeland was involved in 25 theater productions, such as Waiting for Godot and Shakespeare's The Taming of the Shrew and Measure for Measure.

"I lived and breathed in that department," Copeland said. "I didn't do a lot of social things in school because I didn't have a lot of time. It was all about the play or whatever we were working on."

As an undergraduate, Copeland was involved in summer repertory theater programs in Texas and Colorado. He did not graduate from Texas State. However, he continued to call the theater department home and stayed in touch with faculty and staff.

Copeland said he left Texas State to pursue his dream of acting professionally. He struggled to find an acting job and instead became involved in behind-the-scenes work on movies and television. For five seasons, Copeland was a crew member for the PBS television series Austin City Limits. He said the job "came out of the blue."

2011 in Review: Jette's Favorite Photos


SXSW Film Festival 2011

Here are some of my favorite photos that I took at Austin film events and festivals in 2011. You can click the photos to find out more about each subject or event.

Oh, and apart from the picture with Elmo at the top, these are not vanity photos ... so don't think this is going to be All About Me. The photos cover a variety of interesting and notable people, from Marc Savlov to Dominic Monaghan; from the Bellflower car to Jack Black ... and more.

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