Matt Shiverdecker's blog
The Austin Film Society teams up with aGLIFF tonight to bring the new documentary To Be Takei (my review for Paste) to the Marchesa for a one-off screening. It's a touching and genuinely funny profile of George Takei, whose career has taken him from Star Trek to social media icon and gay rights activist. This month's Roger Corman series continues this weekend with X: The Man With The X-Ray Eyes. This 1963 thriller screens tonight and again on Sunday in a 35mm print. On Wednesday night, AFS presents SXSW doc Big Joy: The Adventures of James Broughton (Don's review) and then the Barbara Stanwyck Essential Cinema series will close Thursday with Ball Of Fire. Screening in 35mm, this classic 1941 Howard Hawks comedy, written by Billy Wilder and Charles Brackett, pairs Stanwyck with Gary Cooper.
Over at the Alamo Drafthouse Ritz, The Complete David Lynch series is winding down but has several more gems on the way. This weekend, they've got a 35mm print of Billy Wilder's Sunset Boulevard on Saturday and Sunday as part of the "influences" sidebar of this series. Ingmar Bergman's 1968 feature Hour Of The Wolf also screens as an influence title on Monday night. The last feature film from David Lynch in the series happens on Wednesday night, 2006's Inland Empire. He hasn't made a full-length film since and this 3-hour surrealist epic will start a little earlier (at 6:45 pm) due to its length. A few extra afternoon matinees of Inland Empire are thrown in on Monday, Tuesday and Thursday. Also at the Ritz, there's a Robin Williams Memorial Screening of The Fisher King on Sunday afternoon (with all proceeds being donated to Comic Relief) and a Zzang!!! screening of The Monster Squad on Sunday night.
There's a very special event tonight at the Alamo Slaughter Lane. DJ/Producer/Record Label Owner Andy Votel is going to be on hand for Kleksploitation, an "entirely re-contextualised version of [Andrzej] Zulawski's psychedelic, proto-electric scores for the cult Pan Kleks trilogy of children's films from the 1980s with live DJ accompaniment." Slaughter (and Lakeline) also will be screening Reservoir Dogs again on Sunday and Wednesday.
The Austin Film Society's "Films Of Roger Corman" series (Jette's preview) continues this weekend at the Marchesa with 1961's The Pit And The Pendulum starring Vincent Price. Tonight's screening is a Free Member Friday event for any members of AFS (with General Admission tickets also available). It will also screen again on Sunday afternoon. Tom Gilroy's The Cold Lands is scheduled for a "Best of the Fests" booking on Tuesday at the Marchesa and Thursday's Essential Cinema selection features Barbara Stanwyck (Elizabeth's preview) in William Wellman's Lady Of Burlesque. This extrememly rare 35mm print is on loan from the Library Of Congress, making it a night you won't want to miss!
Austin Film Society is also presenting the Texas premiere of Sin City: A Dame To Die For in 3D on Wednesday evening at the Paramount. Co-directors Robert Rodriguez and (just announced!) Frank Miller will be in attendance for an introduction, post-screening Q&A and at the after party. Aerosmith's Steven Tyler, who appears on the soundtrack, whill also be at the screening. Tickets, including VIP packages, are available on the Paramount's website.
Cinema East will be hosting Above All Else (Don's SXSW review) on Sunday night on the lawn of the French Legation Museum. There's only one more film in this summer's series after this, so head out for this all-ages, BYOB-friendly event. Doors are at 7 pm and the film will begin at 9. This documentary had its world premiere at SXSW this year and examines the battle over the Keystone XL oil pipeline, introducing us to an environmental activist from East Texas who tried to block it.
The Austin Film Society kicks off a brand new series featuring classic films from Roger Corman (Jette's preview) with a related documentary called That Guy Dick Miller, about the famed character actor. Tonight's screening will feature a post-film Q&A with Mr. Miller via Skype. It will be followed by a 35mm screening of Corman's 1959 feature A Bucket Of Blood, which features a great lead performance by Dick Miller. The film will also play again on Sunday afternoon.
On Wednesday, Whitey: The United States Of America V. James J. Bulger (from Joe Berlinger, the director of Paradise Lost) will be featured for Doc Nights (Elizabeth's preview), and this month's Essential Cinema series with the incredible Barbara Stanwyck (Elizabeth's preview) finds her on Thursday night starring in a 1937 drama called Internes Can't Take Money, screening in a rare 35mm print.
At the Paramount's Summer Classic Film Series, you can catch a 35mm double feature of Charlie Chaplin comedies this weekend. The Great Dictator and Modern Times will screen at the Paramount multiple times on Saturday and Sunday afternoons. Marlon Brando will be featured in a 35mm double feature on Tuesday and Wednesday evenings with A Streetcar Named Desire and On The Waterfront. Ten classic thrillers from Hitchcock will be featured through the end of next weekend. You can head down for Rebecca and Notorious screening digitally on Tuesday and Wednesday at the Stateside, while Rope and The Trouble With Harry also play there digitally on Thursday night. If you'd rather catch your Hitchcock on film, Psycho and Vertigo are both featured in 35mm at the Paramount on Thursday evenng.
In terms of wide releases, it's a fairly quiet week due to Marvel taking over more than 4,000 screens nationwide. Universal is countering with its James Brown biopic, but there's no other real compeition in the market for mainstream crowds. Specialty audiences are still discovering Richard Linklater's Boyhood (Don's review), which expands to AMC Barton Creek and Alamo Drafthouse Lakeline this weekend, while continuing with plenty of showtimes at Alamo Slaughter Lane, Regal Arbor and Violet Crown Cinema.
Speaking of Mr. Linklater, he'll be at the Marchesa tonight to introduce Vincente Minnelli's The Band Wagon. It's a free screening for folks who contributed to last year's Austin Film Society campaign to make improvements at Marchesa Hall and Lars Nilsen reports that the 35mm print is "pretty much perfect." Capacity permitting, $10 general admission tickets will be available. Barbara Stanwyck wil be taking over the Essential Cinema series for August (Elizabeth's preview), kicking off with a 35mm screening of The Lady Eve on Thursday night. Henry Fonda and Charles Coburn also star in this 1941 classic by Preston Sturges.
The Paramount Summer Classic Film Series is headed into the 1940s this weekend with 35mm prints of Casablanca and The Philadelphia Story on Saturday and Sunday. Wednesday and Thursday finds the series jumping ahead into the 1950s with a double feature of All About Eve and The Bad And The Beautiful, both also screening in 35mm.
The average music biopic has become so riddled with cliches in recent years that the entire genre was spoofed in a parody (Walk Hard: The Dewey Cox Story) that managed to be spot-on and over the top at the same time. In Get on Up, director Tate Taylor, coming off his successful big-screen adaptation of The Help, brings together a gifted cast and crew to tell the story of "The Hardest Working Man In Show Business," but it falls into many of the traps that made the biopic format so easy to mock in the first place.
James Brown's life began in 1933 while the country was in the midst of the Great Depression. Get On Up doesn't start with his birth, but rather opts to open with a bizarre incident in the late 1980s with him running around his office in a green velour tracksuit brandishing a shotgun to determine who had just used his bathroom. Brown is portrayed by Chadwick Boseman (who also took on the role of the legendary Jackie Robinson in last year's 42) and his dedication is clearly evident, especially during the recreation of the live concert sequences. In one of the film's many odd creative decisions, he frequently breaks the fourth wall to address the audience and explain his motivations.
As we weave in and out of over 50 years of history in the making, the curious structure and tone of Get on Up become increasingly problematic. One moment we are running in the woods with Brown as a child playing with his mother and shortly after we're on a flight to Vietnam that is being shot at with his entire band on board preparing to land for a USO concert in 1968. We catch glimpses of Brown's difficult childhood and how he eventually ends up being raised in a whorehouse by his aunt (Octavia Spencer), but these moments only serve to feed more into the myth of James Brown instead of shining a light on the man he became.
The Austin Film Society begins a very rare series this Sunday afternoon at the Marchesa called "The Sepia Screen." They'll be spotlighting 35mm "race" films from a special collection at Southern Methodist University from the days when movie theaters were segregated. This weekend, they'll be screening a 1946 short called Vanities, a 1946 feature called Dirty Gertie From Harlem U.S.A. and 1949's feature Souls Of Sin. Elizabeth's preview has details plus some insights on the series from AFS programmer Lars Nilsen.
On Tuesday evening, AFS is hosting Two Step, a locally-shot SXSW 2014 favorite (Don's review). Director Alex R. Johnson and composer Andrew Kenny (The Wooden Birds, The American Analog Set) will be in attendance for a Q&A. The current AFS Essential Cinema series is closing out on Thursday evening with Liv and Ingmar. After filling the Marchesa's screen over the last few weeks with some of their greatest collaborations, now you'll get to see this 2012 documentary that examines the relationship between Liv Ullmann and Ingmar Bergman. The film is presented from Liv's point-of-view, interviewed in the house that she lived in for many years with Bergman.
Over at the Alamo Drafthouse Ritz, tomorrow morning you can check out a free Kid's Club screening of the Disney classic Pete's Dragon in 35mm at noon. Later in the afternoon, they'll also be paying tribute to the late James Garner with a 35mm screening of 1964's The Americanization Of Emily, which also stars Julie Andrews.
Over the next week, your only real duty as a film lover is to see Richard Linklater's Boyhood. Yes, it's almost three hours long. Yes, the reviews are mindblowingly great. Yes, it's the real deal. I attended last weekend's Austin Film Society Q&A screening with Linklater, Patricia Arquette and Ellar Coltrane in attendance and I'm definitely ready to see it again. It's that good.
Speaking of special screenings, AFS is bringing the SXSW hit Road To Austin (Mike's review) to the Marchesa tonight. The documentary examines how Austin became the "Live Music Capital Of The World" and features live performance footage from Kris Kristofferson, Bonnie Raitt, Delbert McClinton, Joe Ely and over 40 other artists. If that sounds up your alley, so will the Sunday afternoon screening of Tommy Hancock: West Texas Muse. Following the leader of West Texas's premiere western swing band, the film features many Texas musicians including Jimmie Dale Gilmore, Joe Ely and Lloyd Maines. Hancock lives in Austin and will be on hand for a Q&A. Thursday night's Essential Cinema brings us Ingmar Bergman's 1973 masterpiece Scenes From A Marriage. This screening will be the 169-minute theatrical version, although if you go and really enjoy it, you should track down the 295-minute television miniseries version as originally aired in Sweden.
Alamo Drafthouse Ritz has a lot of great music programming on tap again as part of this month's "The Alamo Goes To '11" feature. A new digital restoration of Stop Making Sense plays twice Saturday, with Wattstax in the mix on Saturday and Sunday afternoons and a sneak preview of the new Nick Cave documentary 20,000 Days On Earth. That is sold out at the Ritz on Sunday, but also plays at the Village and Slaughter Lane locations that afternoon, and tickets are still left at the Ritz for Music Monday. A 35mm print of John Woo's extraordinarily violent Hard Boiled screens at the Ritz on Sunday night for Tough Guy Cinema and The Complete David Lynch series enters its fourth week with a handful of Blue Velvet screenings in 35mm.
The Austin Film Society is kicking off the weekend with another Free Member Friday event. Tonight, AFS Members can enjoy a program of short films at the Marchesa for free, including Kat Candler's original 2012 short Hellion (recently adapted into a terrific feature) and Todd Rohal's Rat Pack Rat, which won a special jury prize at Sundance this year. Come on out even if you're not a member for $10 general admission tickets.
AFS is also hosting some special advance screenings of Richard Linklater's acclaimed new film Boyhood (Debbie's review) this weekend. The 1 pm screening on Sunday at the Marchesa is already sold out, but a 7 pm show still has VIP tickets available that include a private dinner with the director and cast. The acclaimed documentary Manakamana is screening at the Marchesa on Tuesday evening while Sweet Dreams folows on Wednesday. Essential Cinema closes out a busy week with a 35mm print of Ingmar Bergman's Cries And Whispers on Thursday night.
Fresh off a Presidential visit, the Paramount's Summer Classic Film Series gets back on track with King Vidor's silent classic The Big Parade tonight at the Stateside. The Paramount will fire up the 70mm projectors this weekend as Lawrence Of Arabia returns in all its big-screen glory tomorrow night and twice on Sunday. On Tuesday and Wednesday evenings, the Paramount will pay tribute to Montgomery Clift with a 35mm double feature of Red River and The Heiress and then the Stateside will have a couple of great Westerns on Thursday night with a double feature of The Magnificent Seven and The Misfits.
With a holiday weekend ahead of us, Movies This Week is getting an early run so you can determine which flicks are best worth your time. Since it's a few days ahead of schedule, there are a few repeats from last week's column here in the rundown of repertory screenings.
The Austin Film Society is launching a new Essential Cinema series featuring some of the best collaborations of Liv Ullman and Ingmar Bergman this Thursday at the Marchesa. Read Chale's preview for more details. The first movie of the series is 1966's Persona and next Thursday (July 10), you'll be able to catch 1969's The Passion Of Anna, both in 35mm. A newly restored 35mm print of Alain Resnais' Je T'aime, Je T'aime is on the books this Sunday afternoon and Monday evening. Also, catch a rare screening on Tuesday night of Eggshells, a 1968 film by Tobe Hooper that was shot in Austin (Don's preview from 2011). Hooper will be joined at the Marchesa by Louis Black for a discussion of the film.
"The Complete David Lynch" series begins tonight at Alamo Drafthouse Ritz (and continues through the end of August) with a 35mm print of Eraserhead, which also encores Thursday afternoon. The second film in that series, The Elephant Man, screens in 35mm next Monday, Wednesday and Thursday.
If you're looking to laugh hysterically for the 4th of July, buy tickets for the 10th anniversary screenings of Team America: World Police on Friday night at the Ritz, Lakeline, Slaughter Lane and Village locations. If you're a fan of Sylvester Stallone and the Rocky series, you can choose from three mystery screenings this upcoming Sunday evening. A different Rocky film will screen at the Ritz, Lakeline and Village locations with brand new Mondo prints available to purchase at each.
The Austin Film Series is wrapping up its "Rebel Rebel" series this weekend with a 35mm print of Female Trouble, the raunchy 1974 comedy from enfant terrible John Waters. It screens tonight and Sunday afternoon at the Marchesa. That's also the place to be on Thursday night as a new Essential Cinema series launches featuring some of the best collaborations of Liv Ullman and Ingmar Bergman. The first film of the series is 1966's Persona, screening in a 35mm print. Look for an article about the series on Monday by programmer Chale Nafus.
The Alamo Drafthouse Ritz has another eclectic week ahead of specialty screenings. On Saturday afternoon, you can view the late-era Marx Bros. classic, 1946's A Night In Casablanca. Also this week, there's a Bill & Ted double feature on Sunday that will include two new Mondo posters available for purchase, Russ Meyer's Beyond The Valley Of The Dolls screens in 35mm on Monday night as does a digital presentation of the Whoopi Goldberg classic Sister Act. "The Complete David Lynch" series begins on Wednesday night (and continues through the end of August) with a 35mm print of Eraserhead. Finally, Brooklyn rockers Conveyor will be at the Ritz on Thursday to perform a live score to George Lucas' THX 1138.
Alamo Slaughter Lane has a Cinema Cocktails screening of Dirty Rotten Scoundrels on Sunday night and the legendary rock comedy This Is Spinal Tap will play there on Tuesday and Thursday. Alamo Lakeline is featuring an underground Hindi flick called Miss Lovely tonight through Monday for late-night showings. They've also got a special one-off screening of John Cameron Mitchell's genderbending Hedwig And The Angry Itch happening Thursday.