Marcelena Mayhorn's blog
Take the theory of relativity, theories about space and time, and quantum physics; combine them with intense emotions and exploration of relationships, both personal and familial; write a 169-page screenplay about it all, then bring said screenplay to life. While this task sounds like something way over my film-school brain, Christopher Nolan makes it seem easy as cake with his latest movie, Interstellar.
I've watched many a film buff get into heated debates about Nolan's work. There are those who argue his work is flashy, dazzling you with inexplicable knowledge and plot while melting your eyeballs with IMAX cinematography. On the other hand, there are those who argue his work is brilliant, each camera move and plot point an intricate dance filled with depth and emotion. I tend to fall into the middle of this arguement.
The basic premise is this: Cooper (played by Texas favorite, Matthew McConaughey) is a former-engineer-turned-farmer living with his young daugher Murphy and teenage son Tom. We understand right away that Earth is in trouble: All its resources have been utilized and the world is running out of time to find food and water. By some happenstance of the universe, Cooper finds his way over to a secret NASA location, learning about a secret mission to find another planet for humans to live on ... and of course, Cooper is the only man to pilot said ship to save the human race.
While there is no doubt that Nolan's work is (inter)stellar, it can definitely be cumbersome. I found myself losing focus toward the middle of Interstellar, unsure of what the end result of this 169-minute saga would be. Thankfully, the story reeled back around and left for a compelling (and quite thought-provoking) third act.
One of the few downsides to the movie was the scientific jargon thrown around between characters. Poor line delivery made me wonder (in just a few instances) what the final theory actually was. This film also features a fun game of "Guess how many Hollywood celebs you can spot in space!"
It's so hard to not know what a film is about these days. Trailers, social media, even overhearing a conversation can ruin a film in an instant for a person. But one thing that caught my attention about The One I Love is that I not only had no clue what it was about -- no one else seemed to know either. It's hard for me to figure out how to review this film without giving too much away, because I feel that that is what makes it so unique. The element of surprise is one that can so easily be ruined, so I'll try my best to watch my details.
Ethan (Mark Duplass) and Sophie (Elisabeth Moss) have been married for several years. The film opens with a lovely anecdote by Duplass about how the two met, and how they fell in love instantly. But, like most couples, they've hit a wall in their relationship. They need something to "renew" their spark. Per the suggestion of a marriage counselor (Ted Danson), they seek out a long weekend retreat in the mountains of California. Just the two of them... or so they believe.
The day Melissa McCarthy stops cracking me up will be a cold day in hell. She always plays her roles with gross honesty and wit, and doesn't take guff from anyone. With her latest film Tammy hitting theaters today, it's clear that McCarthy has a knack for less-than-glamorous, ball-busting female characters. That said, however, this movie could have done a lot better on all accounts.
Tammy is the directing debut of McCarthy's husband and actor Ben Falcone (Air Marshall Jon from Bridesmaids), not to mention the first screenplay McCarthy and Falcone have penned together. Although McCarthy's humor shines through (complete with a cameo by Falcone), it falls flat due to bizarre casting choices, a faulty plot line, and downright unrelatable characters.
The premise is that Tammy (McCarthy) is having a pretty crappy day, week and life. She loses her job (at which she doesn't seem to work too hard), she catches her husband in flagrante with the neighbor, and her mother won't let her borrow the family car to leave town. Her grandmother Pearl (Susan Sarandon) comes to her aid and sets the story in motion when she suggests they go on a little road trip together to leave everything behind.
Although Tammy is loveable, she's a complainer. It's as if Falcone and McCarthy wanted to create a more sympathetic version of Megan, her character in Bridesmaids. The cast is full of great cameos; I was beyond thrilled to see Toni Collette, Kathy Bates, Sandra Oh and many other great names in the opening credits. But most of them are onscreen for such a short amount of time, I wondered why such big names are in such little, minuscule roles. I also found myself wondering why not-even-70-year old Sarandon was playing the role of a grown woman's grandmother, when she easily could be playing McCarthy's mother (who was instead played by Allison Janney).
Although the story moves forward, it's hard to stay focused. Much like Tammy, we find ourselves lacking interest in the things she's after, including love interest Bobby (Mark Duplass). The redeeming quality of the film is the handful of funny jokes and one-liners peppered throughout the story though, sadly, most of them are in the film's trailer.
The effort is there with Tammy. McCarthy can do no wrong in my eyes, and I'll of course look forward to whatever she and her husband come up with next. I just hope to soon see the actress in a role where she doesn't have to wear Crocs with socks and Hawaiian shirts for a change.
Ready, Set, Fund is a column about crowdfunding and fundraising endeavors related to Austin and Texas independent film projects.
With summer in full swing, we've happened upon several Indiegogo and Kickstarter campaigns of films gearing up to shoot over these next few months. Headlining these campaigns is the Lazer Team project, the first feature film to be made by Austin production group Rooster Teeth (Red vs. Blue). A bit elusive in the plot description, the story is described as a live-action sci-fi comedy that takes place in the aftermath of receiving an alien signal on Earth.
The Indiegogo campaign raised an impressive $650,000+ on its first launch day, and has now crossed the $1.5 million mark. I'm sure it's due to not only a large fan base, but the impressive incentives offered. Already sold out of the highest two, perks include 20-second voicemails from your favorite Rooster Teeth personality ($400 donation), a Virtual LAN Party with the RT team ($2,000 donation), and even a walk-on role in the film ($6,000 donation). You can watch the video below for more information. The campaign ends on July 6.
When I received my confirmation email to meet writer/producer Matt Thompson and Archer cast members Lucky Yates (Doctor Krieger), Chris Parnell (Cyril Figgis) and H. Jon Benjamin (Sterling Archer) in the Les Paul room of Maggie Mae's, I thought for sure I was being pranked. I've not been to that bar in a while, but I certainly didn't remember it having an upstairs room. Sure enough, as I serendipitously found parking right next to the bar that Friday afternoon, I discovered that the Archer team had found a little spot to beat the humid Austin heat -- a getaway from the growing buzz of 6th Street on a Friday afternoon.
The guys were as I anticipated: laid back, relaxed and quick to make jokes about any topic that came up. We talked about the film scene in Austin and their panel at the Ritz during ATX Television Festival -- and were interrupted from time to time by other fest panelists who knew the guys and wanted to stop and chat. After chatting with Parnell about being alumni from the same college, a few nut/bear jokes (don't ask) and what kind of pants are appropriate to wear in a recording studio, we finally got down to discussing the creation of the show.
Slackerwood: Where do you draw inspiration for these storylines in each episode?
Matt Thompson: They mostly come from whatever Adam Reed [the show's creator, who also plays Ray Gillette] feels like doing. People think that it's super-well planned out, but it's really not. We did, however, know the big plot points that we wanted to happen in this latest season but other than that, we kind of make them up as we go along.
This weekend took me all over Season 3 of the ATX Television Festival. Don't worry: I may have heard or seen some show spoilers these past few days, but I won't post any of them here. It was my first time attending the fest, so I tried to make the most of my time as both a writer and an avid fan of television.
Friday quickly became "fangirl Friday" for me, as I had the opportunity to interview cast members from both Orange Is The New Black, and Archer cast members/writer (you can check out that full interview later on this week). OITNB had its Season 2 premiere episode at the Stateside Theater that morning, bringing Uzo Aduba (Crazy Eyes), Danielle Brooks (Taystee) and Lea DeLaria (Big Boo) in for a post-screening panel discussion.
I sat down with all three of these actresses after the panel, and quickly heard about what playing these roles has been like for them. Although I wasn't able to ask all of my questions, the main thing I wanted to know was what initially sold each of them on playing these specific characters. After DeLaria joked, "A steady paycheck," they walked us through the casting process and how they read for Jenji Kohan (the show's creator) and the casting department.
Austin television fans have been gearing up for the 3rd annual ATX Television Festival (or as the festival likes to say, "Season 3"), running from Thursday, June 5 to Sunday, June 8 in downtown Austin. The relatively new festival features a handful of current television shows as well as a few retrospectives and panels that focus on the behind-the-scenes world of TV. Venues include Alamo Drafthouse Ritz and Stateside at the Paramount.
The full lineup was recently released, and Nineties kids will once again rejoice at the fact that another childhood favorite is coming to ATX. A cast and crew reunion of Hey Dude! is one of the headliners, bringing fan favorites such as Christine Taylor and David Brisbin to town. That's not the only reunion the fest has planned, though. Everwood and Roswell cast members are also coming together again to discuss what it was like to work on these popular shows.
A "Cancelled Too Soon" section is one of the planned series, featuring episode reviews and mini-marathons of the shows My Generation, Enlisted and Men of a Certain Age. These caught my attention because I'm curious to know what a panel discussion about a cancelled show could entail. (I'll try to hit one of these up so I can fill you in.)
Current television shows are also in the mix, including the highly anticipated Season 2 premiere of Orange is the New Black. (The screening takes place the morning of the show's official Season 2 release date on June 6.) Other screenings include episodes from Bates Motel, Archer, Hemlock Grove, Parenthood and many others. A few series premieres are also set to screen, including pilot episodes from the shows Legends, Mulaney, The Night Shift, Reckless and The Strain.
We here at Slackerwood are already busting out the lawn chairs and cold beverages because summer is upon us. This can only mean one thing: free and cheap summer movies around Austin! We're revisiting old favorites and looking into some new ones to give you and your family plenty of activities to do together over summer break.
As usual, some programs are specifically for children, such as the Alamo Kids Camp and Regal Summer Movie Express, and some series are adults-only. Be sure to check out our links for more information on the screenings, and be mindful of what you can and cannot bring with you (such as pets and alcoholic beverages).
We will be on the hunt for new free movie opportunities this year, so if you know of any (or if you don't see a specific one here) let us know in the comments. This page will also be updated as we receive updates on specific events. Happy watching!
This month's list of films available online was all over the place. I was watching ridiculous Craig Robinson comedies and intense documentaries about the struggle to make art. "How the hell do I tie these together?" was the question, as my themes usually come to me quite easily. When I thought back about all of these stories, though, I finally found one kernel within each movie that linked them: topics we don't like to talk about.
What does or does not making something "taboo" is different for each of us. Some are universally obvious, but some might not strike us right away. We have to learn more and try to understand a situation before writing it off as totally unthinkable. Several of the films I watched this month explore topics that are hard to talk about, let alone make a movie about. When you get to know these characters though, you start to see where they are coming from.
I'm not saying they're right, or that they're even heroes. But they're people. They're human, just like you and me. Give their stories a shot this month.
My schedule unfortunately prevented me from seeing everything that I wanted at Cine Las Americas (CLAIFF) last weekend, but I was still able to catch films here and there. Saturday morning took me to Alamo Drafthouse Village for Bobô, a Portugese film from writer/director Inês Oliveira. The movie is about Sofia, who has nothing in her life but the memories of her deceased brother and son. Things change when her mother sends her Mariama, a maid who helps make Sofia's life a little easier. The more these two women get to know one another, the more their friendship blossoms, each helping the other in a way they didn't think possible.
It was refreshing to see such a female-driven film, particularly in the writing. I have to hand it to CLAIFF for saluting female filmmakers during this festival, both in their programming and celebration of film. I was able to attend their Women In Film party on Saturday night, and was so excited to talk with fest staff members Keeley Steenson and Jean Lauer. We not only discussed the films we'd seen during the festival, we also talked about our views on female representation in Latino culture. It certainly made for a fun and educational Saturday night (two words I don't often combine to describe a Saturday night.)