Jette Kernion's blog
I'm writing this on Sunday, August 31. If Molly Ivins were still alive, it would be her 70th birthday. And today is Labor Day, so it seems like a fine time to remember my favorite political columnist through movie and video clips.
Actually, Don writing a TAMI Flashback about John Henry Faulk (go read it when you're done here) inspired me. I had first read about Faulk in Ivins' essay in Molly Ivins Can't Say That, Can She? If you watch the TAMI video from Faulk's memorial service, right at the end Ivins tells a very funny story from that essay. Here, I'll make it easy on you by embedding the video again. Skip ahead to 1:24:00 for Ivins. (The story might also make you feel nostalgic about Cinema West.)
As a film critic, I hear a lot about websites where thieves steal and repost other critics' reviews, sometimes not even bothering to remove identifying material.
But this week, I got my first experience in seeing a purported "filmmaker" post short films to his website that he might claim are his, but obviously do not belong to him. I know this because I saw one of the films in its original incarnation: the very funny short My Mom Smokes Weed, from Austin filmmaker Clay Liford -- it screened at Austin Film Festival in 2009 as well as a number of other film fests. And if you've watched any of Liford's movies (Wuss, Earthling), you know this is so very much his trademark work that anyone else trying to pass it off as his own is an idiot.
If you haven't seen My Mom Smokes Weed, now's your chance. I've embedded it below. And as a bonus, I would like to point you to an Arts + Labor blog post that includes some of the back-and-forth between Liford and the genius who retitled the film Smoked and posted it to his film production site, as well as a link to the Reddit thread where Liford learned about the plagiarism in the first place. He's not the only filmmaker whose films this person is stealing.
When he's not battling moronic plagiarists, Liford is currently working on Slash (aka S/ash), the feature-length expansion of his short film of the same name. You can follow the status of that production on its Facebook page. The short screened at Fantastic Fest 2013 -- read Debbie's interview with Liford about the short and planned feature.
And now the authentic My Mom Smokes Weed (YouTube link), starring Nate Rubin and Sylvia Luedtke, shot in Dallas before Liford moved to Austin:
Here's the latest Austin and Texas news (and boy, is there a lot of it this week).
- Fantastic Fest announced its first wave of films in the 2014 lineup. Kevin Smith's horror film Tusk will open the fest (a 180 degree turn from the Kevin Smith film that opened Fantastic Fest in 2010, Zack and Miri Make a Porno), followed by the Tim League-produced anthology ABCs of Death 2. The festival also announced that movie critic/film historian Leonard Maltin will be in Austin for the fest, heading up the comedy film jury and hosting events. Also, take a look at the gorgeous 2014 poster for the fest.
- Fantastic Fest will take place Sept. 18-25 at Alamo Drafthouse on South Lamar -- and check out the photo above for a preview of what the renovated theater looks like right now. No word yet on the grand opening, although aGLIFF will also take place there the weekend before Fantastic Fest (yes, Slackerwood will certainly be on its toes in September).
- Austin filmmaker Richard Linklater is no longer working on the remake of The Incredible Mr. Limpet (!!), according to Hollywood Reporter. Instead, "sources say" he's working on a movie about college freshmen called That's What I'm Talking About, which is supposed to be semi-autobiographical and in the same tone as Dazed and Confused. This makes sense considering the box-office success of Boyhood.
- Backing up the "sources" in the previous article is a casting notice from Vicky Boone Casting that was posted to a local email list for casting opportunities. Included in the notice: "All of us over at Vicky Boone Casting are working hard on the upcoming untitled Richard Linklater Project and wanted to shoot out a friendly suggestion that if you are interested in being a part of this film in any capacity (we’re talking principles, background, etc.), you should start growing out your hair now! This is a period film based in the early '80s, and it always helps to look the part if you have big dreams of making it onscreen! While this suggestion applies for all ages/ethnicities/genders, a special note goes out to those of you in your 20s, as there will be lots of principles and extras needed in that age range."
We have him to thank for The Little Shop of Horrors (1960), The Trip, Bloody Mama and a half-dozen Poe adaptations. His producer credits include Piranha, Boxcar Bertha, TNT Jackson, Rock 'n' Roll High School and Sharktopus. (Perhaps best to disregard that last one.) He's notorious for shooting movies on little money in less than a week using sets from other films he'd just completed. Actors/filmmakers who worked on their earliest movies with him include Jack Nicholson, Dick Miller (pictured above in A Bucket of Blood), Robert Towne, John Sayles, Francis Ford Coppola, Joe Dante and Martin Scorsese. Roger Corman has 56 director credits and 409 producer credits on IMDb, and he's still producing.
And Austin Film Society programmer Lars Nilsen had to narrow it down to four features -- plus a bonus documentary on Dick Miller -- for the latest AFS Arthouse series: "Films of Roger Corman." The series, screening Fridays and Sundays at the Marchesa, runs August 8-31. I emailed him (Nilsen, not Corman) to find out the story behind the series. Check out our mini email interview below -- followed by a longer list of Corman films Nilsen would have loved to include, so you can have your own enhanced Roger Corman experience at home.
Slackerwood: What made you decide to pick Roger Corman for this particular series at this time?
Lars Nilsen: I think summertime is the best season for light, fun entertainment movies. I can't recall any series of Corman's directorial work here anytime recently and it seems like a good time. I also took note of the fact that this year marks Corman's 60th year in the industry. The fact that the Dick Miller film [That Guy Dick Miller] was coming out just made the whole thing seem like good timing.
Here's the latest Austin and Texas film news.
- SXSW 2013 selection Grow Up, Tony Phillips (Elizabeth's review) now has a distribution date. The family-friendly coming-of-age Halloween movie, written and directed by former Austinite Emily Hagins, will reach VOD and DVD on September 30, 2014. The VOD outlets will include Amazon, iTunes, Hulu and Vudu. The locally shot production also released a new poster by Jay Shaw (pictured at right), which is part of its Kickstarter perks (the film raised $80,000 in crowdfunding in 2012). [Full disclosure: I donated to this Kickstarter campaign.]
- Hollywood Reporter recently published its annual list of Top 25 U.S. Film Schools -- and The University of Texas at Austin is #10 on the list for its radio-television-film program. (The University of Southern California topped the list.) The article lauds the university's "Semester in L.A." program and new 3D production program, as well as noting the recent $50 million gift from the Moody Foundation. (UT is also one of the more affordable universities in the top ten.)
- The Texas Archive of the Moving Image (TAMI) has unveiled a new online exhibit: "Starring the Lone Star State." The collection includes a wealth of video footage related to Texas filmmaking, from silent films through contemporary movies. Newsreel footage from the Galveston hurricane in 1900, video from the set of The Alamo (1960, John Wayne), Cactus Pryor interviwing Ann-Margret ... prepare to spend a lot of time here.
- Austin City Councill will be considering a zoning change on Aug. 7 for the demolition of a building at 619 Congress, to make way for a boutique hotel, the Austin Chronicle reports. What does this have to do with film, you might ask? The problem is that the building shares a wall with The Hideout, a film venue for Austin Film Festival and other events, which has also been used as the Film Badgeholders Lounge for SXSW in recent years. (It's also a good resting place before/after a movie at Paramount or State.) The Hideout is very concerned about the possibility of dealing with a damaged wall and how a big construction project will affect its ability to remain open. (I am concerned about my ability to find a quiet place to write downtown during big film festivals, since Little City's long gone too.)
Last week, Austin filmmaker Robert Rodriguez was at San Diego Comic-Con, promoting his latest movie Sin City: A Dame to Kill For with panels and parties -- even walking the convention floor in costume.
This week, the Austin Film Society has announced it will host the Texas premiere of the Sin City sequel, which will take place Wednesday, August 20 at the Paramount Theatre. The screening will be in 3D -- how many chances have you had to watch a 3D movie downtown at the Paramount?
Tickets are on sale now only for AFS members, who have until August 5 to buy tickets at a discounted rate -- as low as $20 for the balcony. On August 6, general-public tickets go on sale with no AFS member discount. Tickets include admission to an afterparty at the Rattle Inn.
Rodriguez co-directed Sin City: A Dame to Kill For with Frank Miller, who authored the original graphic novel and wrote the movie's script. Both of them also collaborated on the 2005 movie. Returning cast members include Jessica Alba, Mickey Rourke, Jaime King, Rosario Dawson and Bruce Willis. Among the movie's many other stars are Josh Brolin, Powers Boothe, Rosario Dawson, Joseph Gordon-Levitt ... and Lady Gaga.
No word yet on any special guests for the premiere, but we'll keep you posted.
And just for fun, here's a photo of Rodriguez from the Texas Film Awards earlier this year, performing with musicians Patricia Vonne (who's his sister) and Alex Ruiz.
First of all, in case you hadn't heard, it's called aGLIFF again. Polari is still the name of the nonprofit that organizes the annual Austin Gay and Lesbian International Film Festival, but the film festival's traditional name has prevailed.
Now that I've established that, here's the news. aGLIFF has announced its opening-night film for this year's fest -- and the dates of the fest are news too, since they've changed. aGLIFF will run from September 10-14, 2014, at the newly-renovated Alamo Drafthouse on South Lamar. (So now you know the theater has to be at least sort of ready by then.)
Matt Shepard Is a Friend of Mine will open the fest on Wednesday, September 10. The documentary focuses on the late Matthew Shepard's personal life, from friends' and family's point of view. Director Michele Josue and Shepard's parents will be there for a post-screening discussion. aGLIFF also announced three other films in the lineup -- I've included the descriptions at the end of this article.
In addition, the film festival is currently running an Indiegogo campaign to enhance this year's festival experience. The funds raised will help bring in more filmmakers and special guests. The goal is $7,500 but it's a "flexible funding" campaign, so aGLIFF can keep what's raised even if it's short of the goal. Perks include tickets to films and parties during the fest, all-access badges, and ads in the program. Give enough money and you can be on the shorts jury.
Here's the latest Austin and Texas film news.
- Slackerwood isn't at San Diego Comic-Con this year but plenty of Austin people are, including local filmmaker Robert Rodriguez. Indiewire has a roundup of the Sin City: A Dame to Kill For panel with Rodriguez, co-director Frank Miller, and several cast members. The article also includes a new (short) red-band trailer for the Sin City sequel, which hits theaters August 22.
- We don't normally include images with Slackery News Tidbits, but the newly revealed 2014 Texas Book Festival poster (pictured right) featuring the Texas Theatre in Seguin is so gorgeous, I couldn't resist. (Someone tell me how to get one of these, please.) In addition, the festival announced eight authors that will attend -- quite an eclectic bunch, from Martin Amis to Ziggy Marley, and from Valerie Plame Wilson to chef Lidia Bastianich. Texas Book Festival runs from Oct. 25-26 ... as usual, conflicting with Austin Film Festival, and creating hard choices for Austin film/literary fans (start building up your stamina now so you can do both!).
- Have you seen the 2013 drama Pit Stop yet? The Texas-shot feature from Austin filmmaker Yen Tan is streaming on Netflix Instant now. Debbie reviewed it at Sundance 2013 and said it "provides an intriguing glimpse of love and romance in the small towns that so many of us drive through without a second thought on the lives of its inhabitants." Pit Stop received an AFS Grant for distribution last year. (via Don Swaynos)
- Over at Paracinema, Bryce Wilson discusses movies adapted from Texas author Joe Lansdale's novels/stories, including the latest film adaptation, Cold in July (Don's review).
- Finally -- in case you missed it -- last week, Texas gubernatorial candidate Greg Abbott released a campaign ad to play before movies at Regal Cinemas, in which he speaks to the camera while sitting with a movie-theater audience. Alamo Drafthouse founder Tim League took issue with the ad's seeming endorsement of talking and texting during movies, and the Drafthouse hastily assembled the following Drafthouse "Don't Talk" ad. (Gubernatorial candidate Wendy Davis responded on Twitter with "I may have spoken for 11 hours, but even I know it's never OK to talk at the movies.")
The Austin Film Festival just sent me their latest email newsletter with a list of new panelists for the 2014 conference, and I thought I'd share it with you. And yes, there's a local filmmaker in the list. I should not even have to tell you which one, since we've written about her movies enough that you can figure it out.
Here's the list:
- Vera Blasi (Emperor)
- Kat Candler (Hellion)
- Stephen Falk (Orange is the New Black)
- Susannah Grant (Members Only, Erin Brockovich)
- Marti Noxon (Buffy the Vampire Slayer)
- Rick Jaffa and Amanda Silver (Rise of the Planet of the Apes)
You can read a complete list of 2014 panelists on the AFF website. Austin Film Festival runs from October 23-30 this year.
Also, don't forget that the next film in AFF's "1968" series is Rosemary's Baby, which screens next Tuesday, July 29 at 7 pm at the Texas Spirit Theater in the Texas State History Museum [tickets].
Shorts Break spotlights Austin and Texas short films that you can watch right here and now ... take a break and take a look!
For the inaugural edition of Shorts Break, I decided to go with puppets. You can't go wrong with puppets (just ask John Oliver), especially if there's a catchy tune too.
Keith & Heath is a short comedy from Andy Young, and if I'd written this two months ago, I would have called him "Austinite Andy Young" ... but he's just moved to Los Angeles after graduating from The University of Texas at Austin. Keith & Heath is his undergraduate thesis film. Young also worked on the Austin-shot feature Intramural. Rumor has it (okay, his Facebook page has it) that he's working for some other former Austinites this summer, the Duplass brothers. Besides being a filmmaker, he also contributes to Moviemaker Magazine (check out his recent interview with Richard Linklater).