January 2008

BLOOD CAR takes another whack at Austin

BloodCarOne of my favorite films from the 2007 Austin Film Festival, Blood Car, returns to Austin for an encore screening at the Alamo Drafthouse Lake Creek courtesy of AFF. If your butt isn't planted in a seat at the Lake Creek tomorrow night at 7:30 p.m. you're going to be sorry. Really, really sorry.

In the near future gas prices have reached astronomical highs nearing $40 a gallon. One man, Archie Andrews, an environmentalist elementary school teacher, is trying to discover an alternate fuel source. While experimenting with wheat grass, Archie accidentally stumbles upon a solution. That solution turns out to be blood. HUMAN BLOOD!

The screening is free for members and $4 to the general public. It may be the best $4 you ever spend at the movie theater. Would I lie about a film named Blood Car?

Find out more at the AFF web site.

'Harold and Kumar' and Other SXSW 2008 Films

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I wrote an article for Cinematical on the latest news from the SXSW Film Festival: six more films announced, the best-known probably being Harold and Kumar Escape from Guantanamo Bay. (The movie has forced me to learn how to spell "Guantanamo" properly.) I don't want to repeat myself, but I've got other things to say about the announcement that didn't quite work in the Cinematical article:

  • The other five films, in case you really are too lazy to click the link: Mister Lonely, Crawford, Battle in Seattle, The Promotion, and The Toe Tactic. Matt Dentler has posted summaries of all these films -- they're also all in IMDb except for Crawford, which I could not find a website for at the time. 
  • Speaking of Crawford, the documentary is locally made -- producer/director David Modigliani is an Austin filmmaker and playwright. A rough cut of Crawford ­had screened last September at Austin Film Society as part of their "Works-in-Progress" program -- in fact, finding that page was how I found the link to the Crawford website.
  • SXSW also announced three speakers who will participate in "Conversations" panels. Most news articles focused on two of the speakers: Helen Hunt and Michael Eisner. You know I was most interested in the third speaker: Harlan Ellison. Ellison seems to have a reputation these days for being a somewhat unpredictable public speaker, so I am trying not to get too excited (ask me sometime about the time I saw Russ Meyer in person, which was a sad lesson a la Dorothy Parker's "Glory in the Daytime"). But Ellison's "Watching" essays are what got me interested in writing about film in the first place, so part of me is hoping not to be disappointed.
  • The rest of the SXSW 2008 films will be announced on Feb. 5. My guess is that the Duplass brothers' film Baghead and the Zellner brothers' film Goliath (both shot in Austin) will be in the mix. Both features are playing Sundance next week. As Karina points out at Spout, there's a perfect opportunity here for a reprise of the "Zellner vs. Duplass" showdown screening from SXSW 2007.

By the way, SXSW is about to hold its big volunteer signup, if you want to see some of these movies or panels and can't afford a pass or badge. Crew signup takes place on Sunday, January 20 at the downtown Hilton.

Austin Premiere of John Sayles' 'Honeydripper'

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Tickets go on sale Friday at noon for the Austin premiere of John Sayles' latest film, Honeydripper, screening at the Paramount on Tuesday, Jan. 22. Director John Sayles, producer Maggie R­enzi, and actor/musician Gary Clark Jr. will all be in attendance.

I've been looking forward to seeing Honeydripper for some time. The movie is set in rural Alabama in the 1950s and centers around a blues club, the Honeydripper Lounge. Besides Clark, the cast includes Danny Glover, Stacey Keach, Mary Steenburgen, Sean Patrick Thomas, and Keb Mo. Check out the official website for more info on the movie and some related videos (interviews with Sayles, etc.)

Austin Film Society has all the details on the events surrounding the premiere -- there are several different levels of ticket prices. The most expensive ticket (still only $25) gets you admission to an after-party at the Continental Club where Clark and Eddie Shaw will perform. A slightly cheaper ticket gets you into Antone's the next night for a concert with Clark, Shaw, Pinetop Perkins, and Hubert Sumlin. You also can buy tickets for the screening only, which range from $7-12 depending on where you sit. You have to buy tickets through the Paramount, so remember to tack on a few extra bucks to those ticket prices for various service charges and so forth.

I've heard Sayles and Renzi speak before (on an excellent panel at SXSW 2006 about regional indie filmmaking and Lone Star) and I can't wait to hear them at this upcoming Q&A.

Finally, I decided this week that I need to remember and m­ake use of YouTube videos that might be of interest, so here's the trailer for Honeydripper.

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Will 'Burger Hut' Return to SXSW?

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If you attended SXSW Film Festival in 2002 -- or if the culty word-of-mouth reached you later -- you may have heard about the Burger Hut film-fest house ads that year. You know how film-fest house ads can often be incredibly lame and annoying, especially if you have to watch them before 15 or more movies in a week? Apparently that didn't happen with the goofy Burger Hut ads. I wasn't th­ere in 2002 and I haven't tried to watch the ads 15 times in a week, so I can't vouch for t­his personally, but word gets around. People are very nostalgic about the Burger Hut.

If you have no idea what I'm talking about, you can actually watch the old Burger Hut ads on YouTube. They were created by Dan Brown, Kent Osborne, and Mike Mitchell.

But if you do remember the Burger Hut ads fondly and wish that the SXSW house ads would return to those salad days, I have good news. Check out this blog entry from Matt Dentler, SXSW Film Festival producer, and guess what the house ads might be for SXSW in Austin this March. (Hint: That's Osborne in the second photo wearing the Burger Hut hat.)

I liked Joe Swanberg's house ads for SXSW 2007 just fine (Osborne was in those as well), and only one grew a bit annoying after awhile (the one with Greta and the mic, which I seemed to keep getting over and over again). So I'm glad to see that this year's house ads are likely to maintain (at least) the same level of interest.

UPDATED: Cloverfield Sneak in Austin

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­Here is your chance to be part of the biggest movie marketing hype since Snakes on a Plane. There will be nationwide sneak previews of ­Cloverfield next Tuesday, January 15. The Austin Chronicle is giving away free passes­ that will entitle you to stand in line for many hours, with some chance you'll actually get to be shoehorned into a movie theater to see it before anybody else. For free!

Act now if you are interested. Deadline for signup is 4pm, Tuesday, Jan. 8.

[Updated by Jette on Jan. 10 to note that Spill.com has announced ­another pass giveaway on Sunday night at Elysium on Red River.]­

SXSW Opening Night Film: 21

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SXSW has sent us a New Year's gift: the film festival just announced its opening-night premiere, 21. The film is directed by Robert Luketic (Legally Blonde) and stars Kevin Spacey, Kate Bosworth, and Jim Sturgess. No word yet on whether the director or any cast will be around for the premiere. I saw a trailer for this recently -- it's about MIT students who are lured into card-counting at Vegas casinos to pay off their college loans. The movie is based on a nonfiction book about similar real-life events. Looks pretty interesting, and I'm sure the Paramount will fill up quickly on March 7.

Other films in the festival lineup were also announced this week. You've probably seen trailers already for Run Fatboy Run, the Simon Pegg-starring comedy directed by David Schwimmer (yes, the one from Friends) and scripted by Pegg and Michael Ian Black. (Oooh, Hank Azaria is in it.)  There's also a heist film, Flawless, starring Demi Moor­e and Michael Caine.

I like to watch as many documentaries as I can during SXSW, especially those that might not see theatrical distributi­on later. You know I'm looking forward to the film about Harlan Ellison, Dreams with Sharp Teeth. Steve James (Hoop Dreams) and Peter Gilbert directed another doc slated for the fest, At the Death House Door, about the execution of Carlos DeLuna. Finally, Wild Blue Yonder is also scheduled, in which Celia Maysles delves into the life of her documentary-making father David (as in David and Albert Maysles, who made Grey Gardens). SXSW Film Festival runs from March 7-16 this year.