Fresh off the runaway success of The Lego Movie, the directorial team of Phil Lord and Christopher Miller returns with what will likely be summer's most satisfying comedy for adults. Even though the trailers didn't inspire much confidence that 22 Jump Street would actually be any good, it turns out that this wholly unnecessary sequel was worth waiting for.
Channing Tatum and Jonah Hill reprise their roles as Jenko and Schmidt, two cops on the hunt for drug dealers. While the first film followed the inspiration of the original Fox series by having them go undercover in high school, 22 Jump Street sends the guys to college. The movie is 150% in on the joke, repeatedly making fun of movie sequels and encouraging the stars to do everything "just like last time" with a knowing wink to the audience. So often, that's what we all hate about Hollywood movies, but it works perfectly here.
Once again, avid collectors lined up last week to be among the first to see and purchase art from the latest Mondo gallery show. This show, running from May 30 to June 21, presents exclusively prints and original works from perennial favorite artist Ken Taylor.
Two women are on a journey in Ida, by director Pawel Pawlikowski (My Summer of Love, The Woman in the Fifth), opening Friday in Austin at Regal Arbor. Orphaned Anna (Agata Trzebuchowska making her film debut), a novice nun, has just found out she is Jewish and her birth name is Ida. Her aunt Wanda (Agata Kulesza, Suicide Room, Rose), a listless alcoholic judge, is taking her to find her lost family.
One can assume that since it's the late Fifties or early Sixties in the People's Republic of Poland, and Anna is Jewish and in her twenties, the story of what happened to her family is likely tied to the previous Nazi occupation.
Pawlikowski chose to shoot his film in black and white, which adds to the historical aspect of the narrative, but used a squishy 1.37:1 aspect ratio which almost negates any cinematic feeling Ida might have. Within these limits, the director still captures some beautifully framed shots. The stairs in the hotel lobby, the placement of Anna's head in the frame -- there are artistic touches here. The cinematography -- boxy as it may feel -- reflects how Anna keeps herself apart.
When I received my confirmation email to meet writer/producer Matt Thompson and Archer cast members Lucky Yates (Doctor Krieger), Chris Parnell (Cyril Figgis) and H. Jon Benjamin (Sterling Archer) in the Les Paul room of Maggie Mae's, I thought for sure I was being pranked. I've not been to that bar in a while, but I certainly didn't remember it having an upstairs room. Sure enough, as I serendipitously found parking right next to the bar that Friday afternoon, I discovered that the Archer team had found a little spot to beat the humid Austin heat -- a getaway from the growing buzz of 6th Street on a Friday afternoon.
The guys were as I anticipated: laid back, relaxed and quick to make jokes about any topic that came up. We talked about the film scene in Austin and their panel at the Ritz during ATX Television Festival -- and were interrupted from time to time by other fest panelists who knew the guys and wanted to stop and chat. After chatting with Parnell about being alumni from the same college, a few nut/bear jokes (don't ask) and what kind of pants are appropriate to wear in a recording studio, we finally got down to discussing the creation of the show.
Slackerwood: Where do you draw inspiration for these storylines in each episode?
Matt Thompson: They mostly come from whatever Adam Reed [the show's creator, who also plays Ray Gillette] feels like doing. People think that it's super-well planned out, but it's really not. We did, however, know the big plot points that we wanted to happen in this latest season but other than that, we kind of make them up as we go along.
Austin's getting fest-y (and the rising summer temps aren't to blame) with recent news about two new fall film festivals, plus some updates from a longtime local favorite fest.
The fest-o-meter will get turned up a few notches as the weather (hopefully) starts to cool beginning in September with the inaugural MondoCon. Sponsored by the Austin-based art-and-media company/gallery Mondo, MondoCon is scheduled to take place smack dab in the middle of Fantastic Fest, the city's annual genre festival, from Sept. 20-21 at the Marchesa.
MondoCon will be more than a poster show -- with panels, screenings, special guests from various disciplines and good food options. Single and full-weekend tickets are on sale while supplies last. All VIP badges for Fantastic Fest get full-weekend admission.
Fan favorite artists and legends like Hellboy creator Mike Mignola and award-winning comic book artist Bernie Wrightson, among others, are expected to be in attendance at MondoCon. In celebration of the festival, Mignola created a sold-out movie poster for The Bride of Frankenstein (pictured at right).
MondoCon will be accepting volunteer applications in conjunction with Fantastic Fest. Volunteer information will be available next month.
The holidays can, indeed, be out of this world. And a group of local filmmakers and science-fiction enthusiasts are pushing those boundaries with the launch of Austin's first dedicated science-fiction film festival, Other Worlds Austin, from Dec. 4-6 at Galaxy Highland 10 (6700 Middle Fiskville Rd.).
Bears Fonte, former director of programming for Austin Film Festival, founded Other Worlds Austin as a shorts program after discovering the number of excellent sf movies that other fests just didn't seem to have room for. Now that he's no longer with AFF, he expanded his idea into a full weekend festival for science-fiction shorts and features alike.
The lineup for this year's Cinema East series has been announced, and once again the programmers have selected a solid slate of indie films to fill a few summer Sunday evenings. The outdoor screenings begin around 9 pm at the French Legation, admission is $3-$5, and food and drinks are available to buy. Also important: The BYOB policy is once again in effect this year.
We've seen a few of the scheduled movies and are excited about the rest, and filmmakers are scheduled to attend five of the seven screenings. If you're not one to let the Texas heat get you down (it's not so bad after the sun sets and you have a beer in your hand), this is the perfect chance to stretch your weekend to the fullest while checking out a few recent independent films.
Here's the schedule:
I Believe in Unicorns (6/22) -- This fantasy-tinged coming-of-age story (pictured above) explores an imaginative young girl's first encounter with troubled love. Director Leah Meyerhoff will be in attendance for a Q&A following the screening.
By Frank Calvillo
This month, the multiplex looks to deliver audiences Clint Eastwood's take on a hit Broadway musical, yet another Tom Cruise sci-fi/action vehicle and four, count 'em four sequels. Yet for anyone wishing to look a little deeper, beyond the icons and the franchises they'll find a collection of thrills, laughs, drama, conflict and tension from both renowned and up-and-coming filmmakers.
Words and Pictures (now in Austin theaters)
Australian director Fred Schepisi's filmography is a peculiar one, consisting of a collection of solid films (A Cry in the Dark, Six Degrees of Separation), which seem to resonate with cinephiles, but fail to become classics. His latest offering, the romantic dramedy Words and Pictures, may indeed follow suit, but its definitely one of his warmest and sincerest efforts to date. At a private school, a snarky English teacher (Clive Owen), is taken by a caustic art instructor (Juliette Binoche) new to the faculty. A love story at heart, Words and Pictures takes two actors, unknown for their romantic comedy chops, and throws them into said genre with two fun, meaty characters to play. Though the romance will be the draw for most audiences, its the film's debate of writing versus art, and the overall question as to which is the greater form of human expression, that actually make Words and Pictures intriguing.
This weekend took me all over Season 3 of the ATX Television Festival. Don't worry: I may have heard or seen some show spoilers these past few days, but I won't post any of them here. It was my first time attending the fest, so I tried to make the most of my time as both a writer and an avid fan of television.
Friday quickly became "fangirl Friday" for me, as I had the opportunity to interview cast members from both Orange Is The New Black, and Archer cast members/writer (you can check out that full interview later on this week). OITNB had its Season 2 premiere episode at the Stateside Theater that morning, bringing Uzo Aduba (Crazy Eyes), Danielle Brooks (Taystee) and Lea DeLaria (Big Boo) in for a post-screening panel discussion.
I sat down with all three of these actresses after the panel, and quickly heard about what playing these roles has been like for them. Although I wasn't able to ask all of my questions, the main thing I wanted to know was what initially sold each of them on playing these specific characters. After DeLaria joked, "A steady paycheck," they walked us through the casting process and how they read for Jenji Kohan (the show's creator) and the casting department.
Here's the latest Austin and Texas film news.
- Austin filmmaker Richard Linklater's latest feature, Boyhood, swept the top three awards categories at the Seattle International Film Festival on Sunday. The movie, shot over a dozen years in the Austin area, won Best Film, Best Director and Best Actress (Patricia Arquette). Boyhood premiered at Sundance (Debbie's review) screened at SXSW and opens in Austin next month.
- Actor Kevin Corrigan, who appeared in the Austin Film Society's project Slacker 2011 (and most of local filmmaker Bob Byington's features) and can be seen in Austinite Terrence Malick's upcoming Knight of Cups, will discuss his experiences in the industry during AFS's Moviemaker Dialogue on Monday, June 23 at 7:30 pm at the Marchesa Hall.
- Matthew Weiner, creator/executive producer/writer/director of AMC's Mad Men, was recently announced as this year's recipient of the Austin Film Festival Outstanding Television Writer Award. Weiner is scheduled to speak at this year's festival, where he will accept the award.
- An Alamo Drafthouse Lakeline employee has sued the Austin-based company, claiming the theater chain isn't paying a sufficient minimum wage and is including the wrong employees in tip pools, Austin Business Journal reports. The suit alleges that all of the servers employed with Alamo Lakeline, which opened last summer, are entitled to recover unpaid minimum wages, damages and other fees.
Joe R. Lansdale is such a prolific and successful author, it's surprising we don't see more of his work on the big screen.
A native Texan, Lansdale has published more than 30 mysteries and crime novels set mostly in the Lone Star State, as well as novellas, comic books, graphic novels and many short stories. But only a few of his works have been adapted for film or TV; the 2002 cult film Bubba Ho-Tep is based on a Lansdale novella, and a handful of his short stories have inspired short films. He's also written a few screenplays.
But if the gripping new thriller Cold in July is the success it deserves to be, we may see a lot more movies based on Lansdale's books and stories. Adapted from Lansdale's novel of the same title, Cold in July is a solid bit of Texas noir, a taught and satisfying crime film that delivers in most ways.
Set in East Texas in 1989, Cold in July opens as small-town frame shop owner Richard Dane (Michael C. Hall) finds an intruder in his home and shoots the man, Freddy Russell (Wyatt Russell), to death. When the police assure Dane that his actions were in self defense and no charges will be filed, he and his wife, Ann (Vinessa Shaw) assume that's the end of the matter.