As we head into the Thanksgiving weekend, there are a few new releases that are hitting area theaters. The only other major change from last week is that the Stephen Hawking biopic The Theory Of Everything (Don's review) is expanding to new locations today. It continues to play at the Alamo Drafthouse South Lamar, Regal Arbor and Violet Crown, but also turns up at the Alamo Lakeline, Alamo Slaughter Lane, AMC Barton Creek and the Cinemark Hill Country Galleria.
It's also worth mentioning, especially if you're in South Austin, that a brand new entertainment complex called EVO has opened up down in Kyle and it's the first theater in our area featuring an auditorium with Dolby Atmos sound. The EVX screen there is apparently 60-feet wide and Atmos can feature an audio mix that has up to 128 channels (as opposed to a 5.1 or 7.1 surround mix). They're currently screening The Hunger Games: Mockingjay - Part 1 on the EVX screen!
The Austin Film Society's "Essential Cinema" series celebrating Contemporary Filipino Cinema is taking a break this Thursday for Thanksgiving, but returns on Thursday, December 4 with Norte, The End Of History. The epic four-hour movie was just nominated this week as Best International Film at the Independent Spirit Awards and it is the Philippines' official entry for the Acadamy Awards Best Foreign Language Film category.
When you have something that really works you don't fuck it up. Horrible Bosses 2 doesn't make the mistake of screwing with the perfectly "horrible" premise of the original movie. Bateman, Day and Sudeikis are an unbeatable comedy team not equalled since Moe, Larry and Curly.
When studios land a hit comedy, the massive return on relatively miniscule investment guarantees a sequel. The Hollywood machine depends on finding a formula that works and milking it dry. Sticking as close to the established formula while changing things up enough to keep it fresh is the magic trick, and sometimes a production team can fail to pull it off. I was worried that would be the case here, that like The Hangover II, the laughs would fall flat for me.
I'm quite happy that my expectations for this film were not met. Director Sean Anders (Sex Drive) shares writing credits with John Morris (Hot Tub Time Machine), Jonathan Goldstein (Horrible Bosses), and John Francis Daley (Horrible Bosses), who's retired from his TV acting gig on Bones (as Dr. Sweets) to pursue writing and directing with a reboot of Vacation coming next year. Returning from the original cast are Jason Bateman, Jason Sudeikis, Charlie Day, Jennifer Aniston, Kevin Spacey, and Jamie Foxx with the pleasant additions of Christoph Waltz and Chris Pine.
The script follows the trio Nick (Bateman), Kurt (Sudeikis), and Dale (Day) as they have quit their jobs and seen their bosses sued, imprisoned or even killed and now set out to be their own bosses in the new company they've formed. Starting a business is a lot tougher than they planned, however, and the trio discovers their own ways to be horrible at being bosses.
As expected, the humor is very R-rated, crass, gross and outrageously funny. Right off the bat the characters find themselves in terribly embarrassing situations, and the tried and true method of "Tell, don't show... then show" works well. Stay at home for your turkey but then head to the theater, because this movie is well done.
A brand new expanded vinyl edition of the American Hustle soundtrack is hitting select independent record stores across the country this week. Many record colecting nerds are already familiar with Record Store Day (RSD), an event that happens every April featuring exclusive pressings to encourage people to support indie retailers. With vinyl sales surging globally, this program has extended to Black Friday each year, when a new batch of limited-edition releases hit stores. These aren't things that you'll find at national retailers, but rather indie stores like Austin's Waterloo Records and End of an Ear.
While RSD titles are not guaranteed to be in stock at every store across the country, I think it's a safe bet that you'll be able to find this new American Hustle vinyl release at both stores if you're an early shopper on Friday. The soundtrack was first released on CD and digitally last December, but this expanded version makes it available on vinyl for the first time and features six songs not included on the original release. Packaged in a gatefold sleeve featuring a brand new ilustration of the film's poster artwork illustrated by Michael Gillette, the records are pressed on 150-gram red and blue vinyl with "2-eye" stereo labels that replicate 1960s pressings from Columbia Records.
This is an abbreviated version of our Movies This Week roundup because there will be some turnover at area theaters on as we head into the Thanksgiving holiday weekend. I'll be back with an early post on Wednesday to let you know about what will be changing. In the meantime, here's a quick look at what is on tap for this weekend and early next week.
At Alamo Drafthouse Ritz, they are continuing on with 70mm screenings of Interstellar, but those are currently only confirmed through Tuesday night. It's possible that it will keep playing, but if you've been meaning to catch it there on film, you may want to squeeze it in this weekend. The Ritz has added a Saturday afternoon matinee of Florian Habicht's outstanding documentary Pulp: A Film About Life, Death and Supermarkets. They've also got a Mad Max trilogy marathon on Sunday and Monday night will feature a 35mm screening of Kubrick's Eyes Wide Shut for the "1999" series as well as the Sichel Sisters' 1997 lesbian romance All Over Me. Originally released by Fine Line Features and never available on dvd, this is a rare chance to see this remarkable queer classic.
The Alamo South Lamar is presenting Evolution Of A Criminal for its only Austin-area theatrical screening on Sunday. The documentary about a teenage bank robber made its world premiere at SXSW earlier this year and the director (who is also the subject of the film), Darius Clark Monroe, is going to be there for a post-screening Q&A. The "1999" series also stops by Lamar on Tuesday night for Scorsese's outstanding drama Bringing Out The Dead in 35mm. The Alamo Lakeline serves up the seductive Dangerous Liaisons again this weekend for Afternoon Tea while The Fifth Element plays there on Sunday evening.
The movie The Hunger Games: Mockingjay - Part 1 continues the series, taking it into darker, more adult territory. Fans of the books will not be disappointed. The third film sticks quite close to the events of the Suzanne Collins novel's first half, though the movie is slightly less bloody. Directed by Catching Fire's Francis Lawrence (I Am Legend, Constantine), Mockingjay is both faithful to the source and also timely commentary on the use of media to influence a revolution.
Peter Craig and Danny Strong penned the screenplay, which picks up immediately after the events in Catching Fire. Katniss (Jennifer Lawrence) has been evacuated to the lost District 13, hidden in a vast complex of underground bunkers. As the clampdown by the government of evil President Snow (Donald Sutherland) on the rebelling districts continues, her best option to contribute to the revolution is to assume the role for which she has unwittingly been groomed and become the Mockingjay, an inspiration and example to the repressed peoples of Panem broadcast in propaganda videos over hijacked airwaves to all the districts. At the same time, her love and fellow Hunger Games champion Peeta is trapped in the Capital, used as an opposing figure begging for an end to violence in official broadcasts.
Until now, the series has always been told first-person from Katniss' perspective. For the first time here, we see just a few scenes with other characters: President Snow and his staff, District 13 President Coin (Julianne Moore) and Game Master Plutarch Heavensbee (Philip Seymour Hoffman) that set up the film as more of a direct conflict between Katniss and Snow. "Moves and counter-moves," muses Snow at one point, to emphasize that this is a chess match between the two, himself in white and Katniss in black. Caught up in the conflict between them, the districts are all in gray, and the grayest among them is 13.
There is surprisingly little science in The Theory of Everything, a film about famed astrophysicist Stephen Hawking's personal life. There is, however, a lot of kissing.
Well, maybe not that much kissing -- at least compared to other romantic films -- but the movie contains far more romance than science. Want to learn about Hawking's groundbreaking work? Skip the deceptively titled The Theory of Everything, which focuses on Hawking's relationship with his first wife, Jane Hawking, and barely touches on his brilliant scientific ideas.
Based on Jane Hawking's memoir Travelling to Infinity: My Life with Stephen, The Theory of Everything opens as grad students Stephen (Eddie Redmayne) and Jane (Felicity Jones) begin dating at the University of Cambridge in 1963. All is well with their courtship at first. But within a few months, Stephen is diagnosed with amyotrophic lateral sclerosis (ALS, also known as Lou Gehrig's disease), a progressive disorder that causes motor neuron degeneration and muscle weakness and atrophy.
Have you been to the "The Making of Gone with the Wind" exhibit at the Harry Ransom Center yet? Whatever your opinion of the film, it is truly amazing. I've been once and I feel like I caught about 60 percent of it before my feet gave out -- I need to go back again. The exhibit runs through Jan. 4, and admission is free (although parking near UT probably won't be), so take a long lunch break and check it out. Your mom's visiting for Christmas vacation? Bring her there for a treat.
Tomorrow night (Wednesday, Nov. 19) at 7 pm, head over to HRC to hear author and film critic Molly Haskell discuss her book Frankly, My Dear: Gone with the Wind Revisited. It focuses on both the novel and the movie. Haskell is probably best known for her book on women in film, From Reverence to Rape. I've heard her speak before and can't recommend it enough. If you can't make it to the HRC, a live webcast will be available.
I've read Frankly, My Dear and enjoyed it very much -- in fact, I bought the book at HRC after visiting the exhibit. I've read maybe a half-dozen books over the years about Gone with the Wind, because back in high school I was a huge raving fan of the novel. I'm less so now -- over the years the racism has bugged me more and more, and I've always felt Scarlett is essentially an overgrown teenager. But somewhere around here I believe I even have a book of producer David O. Selznick's infamous memos (he would have loooved social media and email), many of which concerned his great 1939 epic film. So I went into the exhibit, and Haskell's book, with plenty of background information.
It's a very busy weekend for cinema lovers in Austin. First up, you've got the Austin Asian American Film Festival at the Marchesa. It's a welcome return for the festival, which was last held in 2009. The fest aims to turn the spotlight on films from Japan, South Korea, Myanmar Thailand, Taiwan, India, the Philippines, Vietnam and the United States. It kicked off last night and will run through Sunday. Tonight, you can catch a Taiwanese drama called Ice Poison and Pee Mak, a horror film that is the highest grossing film in the history of Thailand. Saturday's lineup includes a Vietnamese comedy called Funny Money and the festival's centerpiece, Andrew Lay and Andrew Loo's Revenge Of The Green Dragons, a film that features Martin Scorsese as an executive producer. Sunday will include the Indian documentary Tomorrow We Disappear and the Japanese comedy Cicada. The full lineup and ticket information can be found at the festival's website linked above.
The Alamo Drafthouse South Lamar will be welcoming the second annual Forever Fest this weekend. Tonight they've got a quote-along screening of Mean Girls with stars Jonathan Bennett, Daniel Franzese and Daniel DeSanto in person for a Q&A. Your ticket for the movie also gets you into The Spring Fling dance at the Highball where they encourage you to come dressed as your favorite Mean Girls character! Saturday's featured film is a local premiere for Amira & Sam, an indie drama Drafthouse Films will be releasing next year. Forever Fest will be hosting a live Q&A with the film's stars Martin Starr, Paul Wesley, Dina Shihabi and director Sean Mullin.
The Austin Film Society has limited programming this week since the Marchesa theater is being utilized by the Austin Asian American Film Festival, but they've still got a few great events on the calendar. They'll be hosting the Austin premiere of Stop The Pounding Heart on Wednesday night. Shot in rural Texas, this 2013 selection of the Cannes Film Festival introduces us to a "teenage girl coming of age on her religious family's goat farm." Also screening this week is 2013's On The Job on Thursday night. It's the Essential Cinema pick from a new series on contemporary Filipino cinema.
When you browse to the CNN website, you can choose between US and international editions of the site. While both feature current news items, one edition is focused more heavily on stories about celebrity gossip, xenophobic fears and sports. The other focuses on stories about foreign politics, military activities and human-rights figures. I probably don't have to tell you which is which. The fact is, a majority of Americams don't care about what is happening in other countries. If they did, those stories would be the ones featured in the US edition of CNN, and you would already know the story of Maziar Bahari, the Iranian Canadian journalist imprisoned by the Iranian government for 118 days in 2009 accused of being a spy.
If you have the slightest interest about happenings outside the US, especially in the Middle East -- an area typically ignored and/or misrepresented by most public education here -- you should consider Rosewater essential viewing. Jon Stewart, comedian, actor and host of the perennially popular The Daily Show, has brought Bahari's tale to the big screen after numerous appearances on his program, one of which figured heavily in his incarceration; the Islamic Republic used as evidence against him an appearance in which Jason Jones appeared dressed as a "spy" for comedic effect.
The import of this movie lies in its ability to help bridge the gaps in understanding that result from the holes in our knowledge and direct experience with Iranian culture. Stewart is new to filmmaking, and at times the feature looks more like a TV program than a film. Much of this is owing to the use of footage from various sources, news clips, even footage shot by friends of Bahari in Iran itself. Stewart edits it into a cohesive experience, but the mood shifts irregularly -- it shifts from documentary to drama and even to comedy. Throughout, however, runs a clear message: Governments control their citizens through information, and with the free flow of communication people can overcome an oppressive regime.
Rosewater's first act puts into perspective some things we take for granted. We have unlimited access to information, news, and culture unfettered by government interference, if we only seek it out. Gael Garcia Bernal as Bahari encounters an educated group of youths operating a "satellite university" where through illegal hidden satellite dishes, they access the world outside Iran's state-controlled media. As Bahari documents the 2009 election, voters swarm the polls, knowing little about the opposition candidate they support ... other than they'll vote for anyone who isn't Ahmadinejad. Before the polls are even closed, state-run media announce an overwhelming majority of the vote for Ahmadinejad in the rigged election. Bahari's mother Moloojoon (Shohreh Aghdashloo) represents the typical voter, unhappy with the Islamic regime but confused by the rampant propaganda on her TV. Meanwhile, rioting breaks out in the streets, and Bahari captures the violence on camera as guards begin firing on civilians, a video that results in his arrest.
Ready, Set, Fund is a column about crowdfunding and fundraising endeavors related to Austin and Texas independent film projects.
It's a busy month for local films in the making, and you have plenty of chances to help your favorite (or future favorite) Texas filmmakers bring their stories to the screen.
Into fun, artsy horror movies? Slow Creep by Jim Hickcox is about a "rad-as-hell 15-year-old girl" who, in an act of revenge, goes after a monster made of garbage. This project recently received an AFS Kodak Grant but still needs to raise a few thousand dollars so that the filmmaker can properly create the 90s aesthetic and scary details his monster movie requires.
Find out more in this trailer: